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  • This year, LongHouse’s arts committee has made some bold and dramatic selections well suited for the unique environment.
  • The company’s latest play, “4000 Miles,” matches Amy Herzog’s Pulitzer-nominated and Obie-winning text with the versatile acting chops of some of the company’s regulars and with Samantha Herrera’s first HTC appearance.
  • January is a surprising month on the South Fork. While the crowds die down and the only bluster is the wind (and snow), there are often quiet but significant efforts to draw full-time residents and weekenders away from their hearths and out onto the scene again.
  • “I like the idea of asking the viewer to think, but only for the process of thinking, rather than a specific idea,” he said. “I want my paintings to elicit that.”
  • Now in its 12th year, the Tripoli Gallery “Thanksgiving Collective” has become a holiday season institution on the South Fork.
  • The stated aim of the Parrish Art Museum’s recurrent “Artists Choose Artists” exhibitions is to spark a visual dialogue between discrete triads of artists who work and live on the East End. Yet there is often a more comprehensive conversation that spreads between the walls and throughout the galleries, giving us a series of snapshots of current regional artistic practice and influences.
  • In this time of Instagram’s palm-sized square images, it is hard to imagine walking through the cavern of Grand Central Station and looking up to see a 60-foot-wide panoramic transparency of India’s Taj Mahal, astronauts in space, a field of Oregon wheat, Machu Picchu in Peru, a seaplane on Lake Placid, or skiers landing by plane near the Matterhorn in Switzerland. Yet millions did, courtesy of an advertising campaign by Kodak.
  • Two years in the making, the East End Special Players will bring a new production to Sag Harbor on Saturday called “Trouble in Jamaica.”
  • Last summer, Yuka Silvera found herself seated next to Tony Walton in a theater in Dexter, Mich., watching “My Fair Lady.” It was opening night. “Every time Eliza came out,” she said, “he would poke me.”
  • Looking at the happy, bright-colored paintings of Guy Yanai, an Israeli artist who has taken over the first floor of Harper’s Books in East Hampton through mid-December, a viewer might be tempted to decide they were a cross-pollinated canvas offspring of the visions of Jennifer Bartlett, Richard Die­benkorn, and David Hockney.

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