At the LongHouse Reserve in East Hampton
At Agawam Park in Southampton
At the Southampton Arts Center
An installation by Toni Ross, at Marders in Bridgehampton
By Christopher John Campion
Christopher John Campion’s appearances at the Stephen Talkhouse in Amagansett have coincided nicely with the milestones and turning points of his career in music.
By Kurt Wenzel
Paul Alexander Nolan
The 33rd season kicked off on July 31 with “Mozart: A Portrait in Music and Words,” narrated by Alan Alda
Alan Alda narrated a concert of Mozart’s music as part of the Bridgehampton Chamber Music Festival’s program this year.
By Eric Kuhn
“Idle Hours” by William Merritt Chase was painted on the East End in 1894 and is part of a retrospective of his work at the Phillips Collection in Washington, D.C. Amon Carter Museum of American Art, Fort Worth
“The Hall at Shinnecock” by William Merritt Chase is a pastel on canvas from 1892. Terra Foundation for American Art, Daniel J. Terra Collection
Minimal Art, which flourished in the 1960s, sought to eliminate personal expression from the work of art
Edward Ruscha’s “Damn Mad Open Book,” above, and Gerhard Richter’s “Wiesenfeld,” below, reflect the influence of Minimalism upon artists not directly associated with that movement.
Local Art News
Nick Tarr, curator of this year’s Springs Invitational Exhibition at Ashawagh Hall, shared a laugh at the opening with Alexander Russo, who was honored along with Margaret Kerr, Adrienne Mim, and Athos Zacharias at the reception.
Happy customers at the Clothesline Art Sale at Guild Hall on Saturday included, from left, Nancy Fenton, Pat Precin, and Marilyn Maxwell. Others may have been texting their significant others for advice on purchases or posting Instagrams of the art on view. Durell Godfrey Photos