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A wall piece by Alice Hope, above, that resembles a coil of rope is actually constructed from dyed soda can tabs and tubing. The black-and-white organic forms in Hiroyuki Hamada’s large-scale prints, below, are similar to those found in his three-dimensional work.

Suddenly, one of the lifeless forms moves. It’s eerie and unnerving
David Kennedy Cutler shares the space at the Halsey McKay Gallery in East Hampton with four mannequins who are generalized versions of himself. David Kennedy Cutler
The artist has chosen to create works, in this case a "fresco" of a shirt embedded in plaster with a digital image of the same shirt on top of the plaster, related to the needs of survival such as clothing and food.David Kennedy Cutler
David Kennedy Cutler has been exploring themes of identity, multiplicity, and labor, among other things, in his installation, performance, and residency at the Halsey McKay Gallery.David Kennedy Cutler

Capt. Bruce Beckwith, in the foreground, with Capt. Charlie Etzel, standing, and First Mate Jeremy Gould — three of the Montauk fishermen who work with Dock to Dish to supply fresh seafood to regional restaurants Lindsay Morris
Joe Realmuto, left, the head chef of Nick and Toni’s restaurant, and Sean Barrett of Dock to Dish toting in a catch Jon M. Diat
Rudi Bonicelli, seen cleaning fish, was an original founder of Dock to Dish. Brendan McCarthy

Uniting through stories at the Parrish Art Museum
East End residents gathered at the Parrish Art Museum in Water Mill on Friday to participate in Story Circles, a nationwide event organized by the U.S. Department of Arts and Culture in an effort to gather tales and reflect on the current “state of the union.” Parrish Art Museum

Synthesized geometric abstraction with Minimalism and even a hint of the graphic quality of Pop
Left, David Slivka’s daughter Charlotte Slivka, below, and his granddaughter Lily Slivka at the Kathryn Markel Gallery in Bridgehampton Friday night. Right,the artist with his bas-relief sculpture in Berkeley, Calif.
Six untitled ink drawings from Mr. Slivka’s 1970s period.
The Slivka works on paper at the storage site.

“We don’t want the collection to stand alone as a static group of objects.”
Kelly Dennis, the Watermill Center’s public programs coordinator and residency administrator, demonstrated how the center’s library collection functions with its study collection of objects.
A sampling including chairs and artifacts from around the world and different time periods.
Elka Rifkin, top, the Watermill Center director, examined one of the objects in the collection. The library includes both the objects and books kept on site.

“Bronx Justice,” an N.Y.P.D. novel set in 1990s
Bob Martin, who was a Bronx detective during the high-crime years, has used his experiences as the basis for a novel. Durell Godfrey

A fall exhibition of Aneta Bartos's series “Family Portrait” at Postmasters gallery in downtown Manhattan was on several best-of-the-season lists
Aneta Bartos’s “Family Portrait” series features her and her father in staged environments in Poland. The vintage Polaroid prints, which she processes digitally, include, from top to bottom, “Zalew,” “Lezak,” and “Path.” Aneta Bartos Photos

This presentation of the movement demonstrates a five-decade siren call to those who have appreciated the inherent complexities and challenges in the genre
Audrey Flack’s “Wheel of Fortune,” painted from 1977 to 1978, is a modern-day vanitas still life. Audrey Flack
Peter Maier’s “Jaws,” from 2009, achieves its high-gloss surface through a paint used in auto body shops applied to an aluminum panel. Peter Maier

The Unsung Heroes strike out on their own
Michael LeClerc, James Benard, and Peter (Bosco) Michne are the Unsung Heroes. Trina Tozzi