For 30 years, Alexis Rockman has rendered the natural world, producing both detailed oil paintings depicting the dystopian consequences of climate change, genetic engineering, and industrial pollution, and more immediate field drawings of plants and animals encountered on his travels.
There is a good deal of excitement at the Bay Street Theater in advance of its 25th season, so much so that Scott Schwartz, the artistic director, has already announced two of its upcoming summer productions just on the cusp of 2016.
Ned Smyth doesn’t remember his first visit to the Louvre, since he was 18 months old at the time. Years later, his parents told him that he ran ahead of them as they approached the entrance. Once inside, they found him on his knees, genuflecting.
A reception will take place Saturday at the Tulla Booth Gallery in Sag Harbor from 5 to 7 p.m for the photographer Daniel Jones. A group show, “Winter Light: East End Artists,” organized by Arlene Bujese, will be on view at the Southampton Cultural Center from Tuesday through Feb. 15. A reception will be held on Jan. 16 from 5 to 7 p.m.
With so much going on in the various galleries of Guild Hall’s museum right now, a permanent-collection show might seem like an afterthought. And yet “A Sense of Place,” the museum’s thematic exploration of its own vaults, takes up the largest space and is the most extensive.
Gabriele Raacke, who grew up in a small village in the Black Forest near Freiburg, Germany, wanted to be a bookseller. To that end she attended the booksellers school in Frankfurt, which offered a three-and-a-half-year program required for anybody who wanted to work in a bookstore or publishing house.