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  • For more than a half century, a group of writers and artists have met in East Hampton to duke it out for supremacy on a softball diamond. Some of the most vaunted names in American arts and letters have participated, making it an almost sacred ritual in some circles.

  • If a viewer did not know that Alisa Baremboym and Gregory Edwards were newlyweds, it would soon become obvious in seeing their show at the Fireplace Project in Springs. “Contact” is a dialogue between two artists whose lives and vision have become entwined, not literally but with enough feeling to create circuits and sparks throughout the gallery space.

  • Lady Gaga is a musical artist with a strong visual sense who transforms herself regularly from public appearance to public appearance, record to record, video to video. Robert Wilson works with performers, composers, and writers to create highly visual, mostly musical productions.

  • At an intimate party, money was raised for abused children and Katie Beers discussed her ordeal.
  • Last Thursday night, a storm brewed in Bridgehampton and threatened to spread east across the towns into the peaceful Village of East Hampton. This being late July, everything about the previous sentence is spurious. The weather was calm and East Hampton, peaceful? In July?

    Still, there is no denying that “The Tempest,” that old play by William Shakespeare, will take over East Hampton, specifically Mulford Farm, from Wednesday to Aug. 24.

  • The Hamptons International Film Festival will present two more films before the end of the summer, Rory Kennedy’s “The Last Days in Vietnam” and “The Overnighters” from Jesse Moss.

  • The East Hampton club won several blue ribbons across many categories, including floral design, horticulture, and photography.
  • Richmond Burton likes to paint big, unless he wants to paint small. He uses oil paints applied so thinly they appear matte, sometimes translucent, and a lot more like acrylic. He is a trained architect who prefers mark-making in a two-dimensional form, and he really likes color, but sometimes he does not. His work over the past two decades has shown a dance across the spectrum of rigid systems of grids and complete abandonment of that structure for more organic abstraction.

  • If there were any remaining questions as to whether the South Fork could support three art fairs, their continued return over the past few years should quell them.

    This week’s returnee is Art South­ampton, an offshoot of Nick Korniloff’s Art Miami empire, which includes that main fair, held each December during Art Basel Miami Beach week, and a variety of others he hosts, either in Miami or, now, in Silicon Valley.

  • Christina Lewis Halpern’s nonprofit offers intensive computer training and industry contacts for young men of color.

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  • The Water Mill Museum is holding its annual quilt show through Sept. 14. A tradition spanning almost three decades, the show features dozens of quilts hung and draped over every available surface, making a riot of color and patterns throughout the old mill space.

    Each is hand-crafted and reasonably priced for both new and vintage pieces. There are traditional quilts, baby quilts, and crazy quilts.

    A special queen-sized quilt up for raffle features shades of blue and yellow and will be awarded to a winning ticket on Oct. 11 at the museum’s Bowls of Plenty event.

  • There are only three more performances of Shakespeare’s “The Tempest” at Mulford Farm, presented by the Hamptons Independent Theater Festival, known more familiarly as HITFest. If you can, see all three.

    The two-hour production is a delight from start to finish, harnessing a bit of Ariel’s magic to make the spare set and staging as engaging as the acting is polished and professional, rivaling Public Theater productions in Central Park I’ve seen over the years.

  • The Watermill Center held its benefit “One Thousand Nights and One Night/Sleepless Nights of Sheherazade” on Saturday night with Jim Jarmusch playing guitar in the Zen room and guests such as Philip Glass and Isabelle Huppert milling about the grounds. The party raised $2.2 million for the center’s International Summer Program and its year-round artists residencies and education programs.

  • Although Southampton Town police officers did their best to keep traffic moving on County Road 39, drivers heading to the fair mixing with the regular summer evening traffic made for a messy commute on Thursday night.

  • “White Hot + Blue” was the theme of this year’s LongHouse Reserve’s benefit in East Hampton on Saturday and the grounds and guests were done up just right.

  • Susan and Stanley Reifer will open their Bridgehampton garden on Saturday from 10 am to 3 pm. through the Garden Conservency.

    The garden was designed by Jian Guo Xu, Chinese artist who has incorporate Taoism, Confucianism, and Buddhism on the garden's five acres. The garden includes pavilions, bridges, and water features accessed by winding paths.

    The garden is at 5 Paumanok Road, Bridgehampton and  admission is $5.

  • The Parrish Art Museum’s sold-out Midsummer Party on Saturday night raised $1.25 million and attracted some 1,000 guests.

    The event honored Inga Maren Otto, a philanthropist, and Katharina Otto-Bernstein, a filmmaker and author.

  • Thursday night was the night to be in Bridgehampton. Long lines of cars snaked through the back roads and front roads around the Bridgehampton Museum and Nova's Ark where two annual art fairs have taken up residence for the next few days.

    It was the opening night for both ArtHamptons and Art Market Hamptons and even those with black cards, VIP passes, or other bells and whistles on their forms of entry had a tough time negotiating parking.

    Inside, however, all was lively and fun, as these photos of the Art Market Hamptons fair by Morgan McGivern demonstrate. 

  • An auction benefiting LongHouse Reserve is open for bidding now at Paddle 8. The sale is being held in conjunction with the East Hampton garden and art center’s annual benefit on July 19.

  • Filmmakers participating in the Stony Brook Southampton’s summer shorts 20-day intensive production workshop were given a warm welcome on Monday with an opening discussion with Todd Haynes, the director of “Far from Heaven,” “Velvet Goldmine,” “I’m Not There,” “Mildred Pierce,” “Safe,” and many other original and provocative films.

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