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  • In “Loop Holes,” Louise Eastman’s homespun weavings and cast bricks look perfectly at home in the barn that houses the Silas Marder Gallery exhibition space in Bridgehampton. Yet they would look equally at home in some of the South Fork’s remaining untouched classic midcentury ranches, complete with linoleum floors and Formica countertops.

  • If you’ve ever wondered who sits in the big bay window on the second floor of The Star’s office building, that would be me. It is a great perch to witness the life of the village throughout the seasons. Up in the treetops there are leaves budding, blooming, changing, and falling, sparrows peeping in, and the occasional cardinal.

  • It can be a Herculean task to clear out a business after 33 years, but that is what Bebe and Warren Johnson did last week as they said goodbye to the Race Lane storefront of Pritam & Eames to begin a semi-retirement based online and in a new showroom on Mount Desert Island, Me.

  • Building on their strong production of “Macbeth” two years ago, Morgan and Tristan Vaughan and their Roundtable Theatre Company will now tackle “Hamlet‚” beginning tomorrow at Guild Hall.

  • Every so often we need an exhibition of Jane Wilson’s paintings to remind us how spectacular an artist she truly is. Such an event is now occurring in New York City at DC Moore Gallery on the occasion of Ms. Wilson’s 90th year. “Jane Wilson at 90: East Village/East End” will be up through Saturday.

    A selective mini-retrospective, the show highlights earlier, more figurative paintings of New York City and her later South Fork-inspired abstractions, in which she aimed to capture atmosphere or the color of the air itself.

  • New Shows at Halsey Mckay

    Halsey Mckay has opened two new shows at its East Hampton gallery space. One, “Inversion Spectrum,” is a solo show of works by Corey Escoto, who uses both analog and digital processes in photography to tease the viewer into figuring out which is which, where the origin of each image lies, and how photography has adapted to contain all of the available technology.

  • Although Lee Krasner spent much of her life in Springs, it would be a mistake to neglect the contribution of Norman Lewis to “From the Margins: Lee Krasner | Norman Lewis, 1945-1952,” now at the Jewish Museum in Manhattan. The exhibition so enmeshes their work that it is difficult to divide one from the other.

    Krasner, born in Brooklyn to Russian emigres, moved here in 1945 with her husband, Jackson Pollock, and helped form the colony of artists working here who would define midcentury Modern art.

  • When first confronted with the hodgepodge of artist names from the South Fork’s past and present on view at Peter Marcelle Project in Southampton, one cannot be faulted for assuming the exhibition might be a bit of a visual mess.

  • Those who think they are starting to see Colin Goldberg everywhere are probably right. Work by the recent Pollock-Krasner Foundation grant recipient is currently on view at Glenn Horowitz Bookseller in East Hampton and at the Southampton Cultural Center, and he was part of a group show at the Southampton Arts Center this summer.

  • The simple yet elegant presentation of works by Hiroshi Sugimoto at the Tripoli Gallery in Southampton begins at the entrance to the gallery. Like the restrained, masterly crafted boxes he makes for his glass sculptures, the gallery has been turned into discreet packaging for the jewels within its walls.

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  • A battle between titans of the worlds of finance and art has gone to Larry Gagosian, who beat back a lawsuit from Ronald Perelman over a deal gone sour. 

    Mr. Perelman's fraud lawsuit against Mr. Gagosian, filed in 2012, was dismissed by a New York State appeals court panel on Thursday.

  • Five buildings comprised this year’s East Hampton Historical Society house tour, all in East Hampton Village. An ambitious person, or one with a new Fitbit, could have walked it.

    With a house and guest cottage on Buell Lane, two houses on Hither Lane, and one on Further Lane it was a real snapshot of how the style of people lived in earlier days could brought up to contemporary needs and preferences.

    The tour happens every year the Saturday after Thanksgiving and features new houses each year.

  • While the actual Art Basel Miami Beach fair won’t open to the public until Thursday, many of the satellite fairs sprouting up all over Miami this week will open their doors to patrons today and tomorrow.

    Untitled, one of the fairs on the beach and the home of Eric Firestone Gallery and Halsey Mckay Gallery for the week, had its vernissage last night and will hold a VIP preview today before opening to the public tomorrow.

  • Artists associated with the East End helped Christie’s auction house take in a record-breaking $853 million on Wednesday night, with Andy Warhol leading the way with two works, “Triple Elvis” and “Four Marlons,” achieving $81.9 million and $69.6 million, respectively. Out of 80 lots, there were 30 by artists who have lived and worked here over the past century.

  • A colorful and artistic crowd gathered at Guild Hall  on Saturday night to celebrate the opening of two new exhibitions: "Mary Ellen Bartley: Leaning Above the Page" and "New Additions and Works From the Permanent Collection."

  • The Animal Rescue Fund of the Hamptons celebrated the 10th edition of its calendar on Saturday night at the Water Mill home of Sandra Powers, who is this year's pet calendar chairwoman.

    Previous artists such as Paul Davis, Carol Saxe, and Billy Sullivan joined Eric Fischl, who conceived this year's cover. 

    Calendars are on sale now through ARF. Those interested can call Kathy at 537-0400,extension 214.

  • The Water Mill Museum is holding its annual quilt show through Sept. 14. A tradition spanning almost three decades, the show features dozens of quilts hung and draped over every available surface, making a riot of color and patterns throughout the old mill space.

    Each is hand-crafted and reasonably priced for both new and vintage pieces. There are traditional quilts, baby quilts, and crazy quilts.

    A special queen-sized quilt up for raffle features shades of blue and yellow and will be awarded to a winning ticket on Oct. 11 at the museum’s Bowls of Plenty event.

  • There are only three more performances of Shakespeare’s “The Tempest” at Mulford Farm, presented by the Hamptons Independent Theater Festival, known more familiarly as HITFest. If you can, see all three.

    The two-hour production is a delight from start to finish, harnessing a bit of Ariel’s magic to make the spare set and staging as engaging as the acting is polished and professional, rivaling Public Theater productions in Central Park I’ve seen over the years.

  • The Watermill Center held its benefit “One Thousand Nights and One Night/Sleepless Nights of Sheherazade” on Saturday night with Jim Jarmusch playing guitar in the Zen room and guests such as Philip Glass and Isabelle Huppert milling about the grounds. The party raised $2.2 million for the center’s International Summer Program and its year-round artists residencies and education programs.

  • Although Southampton Town police officers did their best to keep traffic moving on County Road 39, drivers heading to the fair mixing with the regular summer evening traffic made for a messy commute on Thursday night.