Ross Bleckner has lived and worked part time on the Sagaponack property that was once Truman Capote’s writer’s retreat since 1990 and has been showing regularly since the 1970s. Yet, it has been four years since his last solo show in New York City at Mary Boone, his gallery for almost four decades.
The exhibition of John Chamberlain’s metal paintings from the mid-1960s at the Dan Flavin Art Institute in Bridgehampton has not exactly set the world on fire, but it is the kind of focused, well-considered presentation complementing the Flavin installation upstairs that the Dia Art Foundation, which owns the institute, turns out annually.
With so many pre-eminent American artists associated with the East End, it is not surprising that the Whitney Museum of American Art would feature many of them in the inaugural exhibition for its new home in New York City’s meatpacking district opening to the public on Friday.
A small, but excellently edited collection of Michael Halsband portraits are on display at the National Arts Club on Gramercy Park through April 25.
Included in the mix that goes back to the mid 1980s are selections from Rolling Stones tours, images of artists and other musicians of the time, his nudes series, contemporary surfers and their culture across a few continents, and some recent formal portraits.
Art Groove opened Saturday night at Ashawagh Hall with 13 artists and the band Out East providing fusion rock and a dance party following with DJ G-Funk.
The art was a mixture of color and movement with more restrained or slightly twisted offerings.
The show is on view Sunday from 11 a.m. to 5 p.m. with a screening of “Hans Van de Bovenkamp: In His Own Words,” a documentary by John Jinks, who is also one of the artists in the show.