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  • Rolph Scarlett’s Geometrics
        Beginning next Thursday, Law­rence Fine Art in East Hampton will present a retrospective of the work of the American modernist painter Rolph Scarlett through May.
        Scarlett was a geometric abstractionist who shared affinities with Marsden Hartley, John Marin, and Joseph Stella. His varied stylistic career explored Cubism, Biomorphism, Abstract Expressionism, and Surrealism. According to the gallery, the artist worked with Jackson Pollock and also produced drip paintings.

  • A Polaroid image of Little Edie taken by Andy Warhol in 1976, a souvenir of the early post-film time, will be up for auction at Christie’s tomorrow. It is expected to sell for $5,000 to $7,000.
  • Putting It on Paper
        Arlene Bujese has returned to the Southampton Cultural Center to present “Paperwork” through April 22. A reception will take place on Saturday from 4 to 6 p.m.
        The exhibition, for which Ms. Bujese served as curator, will include collage, drawing, painting, and photography. The artists include Stephanie Brody-Lederman, Margery Harnick, Anne Sag­er, Roseann Schwab, Walter Schwab, Gail Miro, Mary Stubelek, Greg­ory Thorpe, E.E. Tucker, and Hans Van de Bovenkamp.

  •     A young girl glides through a museum that has some of the greatest works of art on display. In verse she finds herself reacting to the surroundings. Vincent van Gogh’s “Starry Night” makes her “twirly-whirly, twinkly, sparkly, super swirly.” Edvard Munch’s “Scream” makes her gasp, and a Degas dancer has her up on her tippy toes.

  •     The life and achievements of David G. Rattray, a poet and translator who was born and grew up in East Hampton, will be celebrated in Manhattan next week with a day and evening of readings, film, and visual art on the 20th anniversary of his death.
        Mr. Rattray was the brother of Everett Rattray, the longtime editor and publisher of The East Hampton Star, and uncle to his son, David E. Rattray, the current editor.

  • To Fool the Eye
        Todd Norsten will be featured in the solo show “This Isn’t How It Looks” at Glenn Horowitz Bookseller in East Hampton beginning Saturday with a reception from 6 to 8 p.m.

  •     She could have remained forever known as Richard Burton’s first wife, thrown over for Elizabeth Taylor after a slew of other affairs, but Sybil Williams Burton Christopher was not satisfied being a footnote in someone else’s biography.
        “I’m not famous,” she told The Star in 1994, “I’m notorious.” But she was resolute in not wanting “to talk about that nonsense” surrounding her first marriage, which lasted 14 years, despite the affairs.

  •    A furniture store, a trip to Cuba, a legend regarding four wolves — how does one tell and preserve the stories and history of a family aside from the oral tradition? For decades and even centuries, the answer for many households was through the assemblage of quilts.
        The Bennett family has donated two uniquely well-preserved examples of the medium to the East Hampton Historical Society, and they will be included in an exhibition of recent acquisitions planned for late spring and early summer of next year.

  • Docents Have Their Say
        Visitors to the Pollock-Krasner House and Study Center may know them as interpreters and keepers of the legacy of two of the most influential artists of the 20th century who worked in our backyard. But those who know docents outside of that role, know they also like to express themselves in other ways. This weekend, for the first time, all of their creative endeavors will be brought together in a show at Ashawagh Hall that will demonstrate how much their artistic output is shaped by what they do in their day job.

  •    Pale of feature and hair and slender of form, Scott Bluedorn does not look like a ringleader or potent cultural force, but then looks can be deceiving. On a recent winter evening, he passed around a plastic container with the fruits of one of his latest projects — worm farming — as he projected slides describing its ideal conditions.

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