Guild Hall will open two exhibitions this week to inaugurate the museum’s fall season, each lively and provocative in its own way. In one gallery, Thomas Moran’s stylistic legacy and his preoccupation with European art movements will be examined in “Tracing Moran’s Romanticism and Symbolism.” In the other, Christa Maiwald will offer “Short Stories and Other Embroideries.” Ms. Maiwald was the winner of the 2011 members exhibition.
It is funny, but I had to be reminded this week that Robert Dash wasn’t an abstract artist, not in the nonobjective sense anyway. The inveterate gardener, writer, and artist left us last month after a long illness, but his legacy in Madoo, his residence and conservancy, and his artwork, as well as a quite lengthy catalogue of columns he wrote for The Star over many years, will continue.
With so many pre-eminent American artists associated with the East End, it is not surprising that the Whitney Museum of American Art would feature many of them in the inaugural exhibition for its new home in New York City’s meatpacking district opening to the public on Friday.