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  • East End Photogs at 25
        The East End Photographers Group will observe its 25th anniversary with a show at Ashawagh Hall in Springs opening Saturday and running through June 9. This will be the first of a number of shows in the area this season to mark the milestone. The group has dedicated this one to the memory of Tim Lee and Vito Sisti, who both died this year.

  • “Bad Boy”
    Eric Fischl
    Crown, $26

       One of the lasting impressions I have of Eric Fischl was a night at the Parrish Art Museum, where he was in discussion with an adjunct curator about Fairfield Porter’s influences. The curator, who is no longer with the museum, had developed an elaborate theory regarding Diego Velasquez’s influence on Porter, an idea at which Mr. Fischl scoffed.

  •    On a searingly bright but breezy mid-spring day, Melville (Mickey) Straus stood on his patio wearing a purple sweater over a plaid shirt and cords with a conspiratorial twinkle in his eye. “My wife will be angry that I suggested we sit out here in the cold, but I just love being outside,” he said, grinning as he offered a warming cup of coffee. He seemed to appreciate that the panoramic view from the patio, overlooking his pool, Hook Pond, and the late afternoon golfers at the Maidstone Club, was worth a little chill in the air.

  •    Arthur Pinajian’s life and legacy combine to form one of those stories that should be made into a book or movie, and it was. Yet, it wasn’t about him specifically. Kurt Vonnegut’s novel “Bluebeard: The Autobiography of Rabo Karabekian” is about an eccentric Armenian-American painter who knew all the big boys of Abstract Expressionism but chose to paint his own art in obscurity and died unknown. This is also Pinajian’s story in brief, and the similarities in “Bluebeard” continue, but you get the idea.

  • Pots at Horowitz
        Glenn Horowitz Bookseller in East Hampton will present “Jonas Wood and Shio Kusaka: Still Life With Pots” beginning Saturday with a reception from 6 to 8 p.m.

  •    It may appear that it’s solely the new building that’s giving the Parrish Art Museum its current buzz and vigor, and it is certainly part of the equation. But the energy emanating from Water Mill also comes from within, particularly as the Parrish gears up for its first summer season.

  • Expressionism Part II
        The Pollock-Krasner House in Springs will have a discussion called “Expressionism in the 21st Century: Part 2” on Sunday from 4 to 6 p.m. Participants will include Sally Egbert, Connie Fox, Colin Goldberg, Carol Hunt, and Haim Mizrahi. Linda Hatofsky, the widow of Julius Hatofsky, a West Coast Expressionist, will discuss her late husband’s work.
        Contributions from the audience will be welcomed. Admission is free and no reservations are required.

  •    Victorian-era houses in Southampton Village are still prevalent, but many have lost their original style and flavor due to a modern preference for a cleaner, more open feeling. At least one Victorian in the village’s downtown, however, maintains its qualities both inside and out with a sensitive renovation that retains its character while accommodating a contemporary lifestyle.

  • Albertini Presents “Stuffed”
        Sydney Albertini will present “Stuff­ed and Other Feelings . . .” at Ille Arts in Amagansett beginning Saturday with a reception from 6 to 8 p.m.

  •    Over several weeks last fall, late-season coastal storms and the Sandy Hook School shootings overwhelmed human emotional response. People who lost homes are still trying to put the pieces back together and those who lost loved ones will never be the same.

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  • The Southampton Cultural Center will celebrate Black History Month a bit early this year with a show dedicated to six regional and local artists opening on Saturday.

    Those exhibiting will include: Rosa Hanna Scott, a painter and photographer; John Pinderhughes, a photographer; Reynold Ruffins, an abstract artist; Tina Andrews, an abstract painter and sculptor; Sheril Antonio, a photographer; and Danny Simmons, an abstract artist.

  • The Southampton Cultural Center has added an additional audition for “A Chorus Line” on Wednesday at 6:30 p.m. Michael Disher will direct the Pulitzer-prize winning play with music by Marvin Hamlisch, who was a long-time Sag Harbor and Westhampton resident, with lyrics by Edward Kleban, and a book by James Kirkwood, Jr. and Nicholas Dante.

    Although the starring roles of Zach and Cassie have been cast, there are still several roles, particularly male roles, that have not been filled.

  • A battle between titans of the worlds of finance and art has gone to Larry Gagosian, who beat back a lawsuit from Ronald Perelman over a deal gone sour. 

    Mr. Perelman's fraud lawsuit against Mr. Gagosian, filed in 2012, was dismissed by a New York State appeals court panel on Thursday.

  • Five buildings comprised this year’s East Hampton Historical Society house tour, all in East Hampton Village. An ambitious person, or one with a new Fitbit, could have walked it.

    With a house and guest cottage on Buell Lane, two houses on Hither Lane, and one on Further Lane it was a real snapshot of how the style of people lived in earlier days could brought up to contemporary needs and preferences.

    The tour happens every year the Saturday after Thanksgiving and features new houses each year.

  • While the actual Art Basel Miami Beach fair won’t open to the public until Thursday, many of the satellite fairs sprouting up all over Miami this week will open their doors to patrons today and tomorrow.

    Untitled, one of the fairs on the beach and the home of Eric Firestone Gallery and Halsey Mckay Gallery for the week, had its vernissage last night and will hold a VIP preview today before opening to the public tomorrow.

  • Artists associated with the East End helped Christie’s auction house take in a record-breaking $853 million on Wednesday night, with Andy Warhol leading the way with two works, “Triple Elvis” and “Four Marlons,” achieving $81.9 million and $69.6 million, respectively. Out of 80 lots, there were 30 by artists who have lived and worked here over the past century.

  • A colorful and artistic crowd gathered at Guild Hall  on Saturday night to celebrate the opening of two new exhibitions: "Mary Ellen Bartley: Leaning Above the Page" and "New Additions and Works From the Permanent Collection."

  • The Animal Rescue Fund of the Hamptons celebrated the 10th edition of its calendar on Saturday night at the Water Mill home of Sandra Powers, who is this year's pet calendar chairwoman.

    Previous artists such as Paul Davis, Carol Saxe, and Billy Sullivan joined Eric Fischl, who conceived this year's cover. 

    Calendars are on sale now through ARF. Those interested can call Kathy at 537-0400,extension 214.

  • The Water Mill Museum is holding its annual quilt show through Sept. 14. A tradition spanning almost three decades, the show features dozens of quilts hung and draped over every available surface, making a riot of color and patterns throughout the old mill space.

    Each is hand-crafted and reasonably priced for both new and vintage pieces. There are traditional quilts, baby quilts, and crazy quilts.

    A special queen-sized quilt up for raffle features shades of blue and yellow and will be awarded to a winning ticket on Oct. 11 at the museum’s Bowls of Plenty event.

  • There are only three more performances of Shakespeare’s “The Tempest” at Mulford Farm, presented by the Hamptons Independent Theater Festival, known more familiarly as HITFest. If you can, see all three.

    The two-hour production is a delight from start to finish, harnessing a bit of Ariel’s magic to make the spare set and staging as engaging as the acting is polished and professional, rivaling Public Theater productions in Central Park I’ve seen over the years.