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  •     Those who thought the recent film version of “August: Osage County” was shrill might find the current production at the Southampton Cultural Center under Michael Disher’s direction more to their liking.

  •     Photographs typically need little introduction: what you see is what you see. With Herbert Matter, it is a different story.

  •     As a composer, Antonio Vivaldi rather owns spring through the popular co-opting of his violin concerto “La primavera.” So it is appropriate that the Choral Society of the Hamptons welcomes spring with “Viva Vivaldi!” — opting not to offer a cliched response to the arrival of the equinox, but to give a varied program of joyous music by the composer and others to awaken senses dulled and dormant from the long winter.

  • New housing and the preview of a Broadway play starring Marlo Thomas in the summer topped the news at the event.
  •     New York City’s art week has once again come to a close, and despite its perpetual sense of coal coming to Newcastle, the fairs and attendant events still packed them in, with long lines in many cases.

  • About 100 people showed up at the Avram Theater at Southampton College on Sunday night to discuss the college's closing and what might be done to save its undergraduate programs.
    Scott Carlin, a professor of environmental studies, moderated a panel that included Representative Tim Bishop, Suffolk County Legislator Jay Schneiderman, and Elizabeth Haile and Lance Gumbs of the Shinnecock Tribe.

    Mr. Gumbs noted that it was the first time that representatives of the Shinnecocks had been invited to enter discussions of the college's future.

  •     Many otherwise plugged-in cultural cog­noscenti of the South Fork might be surprised to learn that Philippe de Montebello is this year’s recipient of the Guild Hall Academy of the Arts Lifetime Achievement Award. It is not that the former and longtime Metropolitan Museum of Art director does not deserve it, but rather that few, if any, know he actually spends time here. He would like to keep it that way.

  •     After several years writing about art critically, it is often surprising what ends up being surprising. Is it just the setting that makes a group show of East End artists so striking in a Chelsea gallery or is it the art itself?

  •     Not every artist manages to continue refreshing his work into his 70s, but Keith Sonnier, through the aid of a new studio space in Bridgehampton, has managed to do just that. The evidence is on view at Pace Gallery in Chelsea through Feb. 22.

        The artist chose his most regular medium quite early in his career. Graduating from Rutgers University with an M.F.A. in 1966, it was only two years later that he began working in the neon gas lighting that has defined his sculpture ever since.

  •     Those who saw Jack Ceglic’s work at Ille Arts this summer would have been surprised by the most recent projects in his East Hampton studio last month. Although the familiar revealing and colorful portraits of friends and neighbors were well in evidence, hanging on the walls and most available surfaces were compositions expressed in the blackest of charcoal pastel.

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