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  •     The exhibition of John Chamberlain’s metal paintings from the mid-1960s at the Dan Flavin Art Institute in Bridgehampton has not exactly set the world on fire, but it is the kind of focused, well-considered presentation complementing the Flavin installation upstairs that the Dia Art Foundation, which owns the institute, turns out annually.

  •     On a windswept and rainy Saturday evening, somewhere on the cusp of March and April, a moody and sometimes sinister show featuring water and the sea might be just the thing to pull one out of a funk, or draw one in more deeply. Either way, “On an Eastern Shore,” featuring the work of Peter Ngo and Ingrid Silva, is a show that remains with you, rain or not.

  •     Those who thought the recent film version of “August: Osage County” was shrill might find the current production at the Southampton Cultural Center under Michael Disher’s direction more to their liking.

  •     Photographs typically need little introduction: what you see is what you see. With Herbert Matter, it is a different story.

  •     As a composer, Antonio Vivaldi rather owns spring through the popular co-opting of his violin concerto “La primavera.” So it is appropriate that the Choral Society of the Hamptons welcomes spring with “Viva Vivaldi!” — opting not to offer a cliched response to the arrival of the equinox, but to give a varied program of joyous music by the composer and others to awaken senses dulled and dormant from the long winter.

  • New housing and the preview of a Broadway play starring Marlo Thomas in the summer topped the news at the event.
  •     New York City’s art week has once again come to a close, and despite its perpetual sense of coal coming to Newcastle, the fairs and attendant events still packed them in, with long lines in many cases.

  • About 100 people showed up at the Avram Theater at Southampton College on Sunday night to discuss the college's closing and what might be done to save its undergraduate programs.
    Scott Carlin, a professor of environmental studies, moderated a panel that included Representative Tim Bishop, Suffolk County Legislator Jay Schneiderman, and Elizabeth Haile and Lance Gumbs of the Shinnecock Tribe.

    Mr. Gumbs noted that it was the first time that representatives of the Shinnecocks had been invited to enter discussions of the college's future.

  •     Many otherwise plugged-in cultural cog­noscenti of the South Fork might be surprised to learn that Philippe de Montebello is this year’s recipient of the Guild Hall Academy of the Arts Lifetime Achievement Award. It is not that the former and longtime Metropolitan Museum of Art director does not deserve it, but rather that few, if any, know he actually spends time here. He would like to keep it that way.

  •     After several years writing about art critically, it is often surprising what ends up being surprising. Is it just the setting that makes a group show of East End artists so striking in a Chelsea gallery or is it the art itself?

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