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Articles by this author:

  •     The walls are spare, painted black even, and the room would look like a tomb if the afternoon sun weren’t beaming in just so. It is what makes the show by Peter Sabbeth and Ross Watts at Sara Nightingale poetic and touching — trenchant, really, and not easy to forget.

  •        An artistic love child of Jackson Pollock and his mistress Ruth Kligman has garnered new legitimacy through the kind of police crime-lab science popularized in “CSI”-type television shows.

  •     With a fully reserved first performance of the “Water’s Edge Radio Hour” at Wolffer Estate Winery on Saturday, clearly an audience exists for a home-grown version of “A Prairie Home Companion,” the popular public radio staple.

  •     Marking the one-year anniversary of its Water Mill location, the Parrish Art Museum will have a weekend celebration for the community on Saturday and Sunday. Since last November, the museum has hosted 65,000 visitors and wants to encourage more through its temporary exhibitions, periodic reinstallations of the permanent collection, and regular concerts and special events.

  •     Guild Hall will open two exhibitions this week to inaugurate the museum’s fall season, each lively and provocative in its own way. In one gallery, Thomas Moran’s stylistic legacy and his preoccupation with European art movements will be examined in “Tracing Moran’s Romanticism and Symbolism.” In the other, Christa Maiwald will offer “Short Stories and Other Embroideries.” Ms. Maiwald was the winner of the 2011 members exhibition.

  •     It is funny, but I had to be reminded this week that Robert Dash wasn’t an abstract artist, not in the nonobjective sense anyway. The inveterate gardener, writer, and artist left us last month after a long illness, but his legacy in Madoo, his residence and conservancy, and his artwork, as well as a quite lengthy catalogue of columns he wrote for The Star over many years, will continue.

  • Guild Hall, Parrish
    Free on Saturday

        Guild Hall and the Parrish Art Museum will allow patrons with a Museum Day Live! ticket free access on Saturday during regular business hours. The program, sponsored by Smithsonian magazine, is in its ninth year. Last year’s event drew over 400,000 participants nationwide, and this year’s expects record-high participation.

  •    The Parrish Art Museum’s Salon Series of classical and contemporary music begins tomorrow with a performance by Michael Brown, a pianist, at 6 p.m.

  •     Tickets for the Hamptons International Film Festival will be available starting tomorrow for purchase online. The festival will run from Oct. 10 to Oct 14.

       At press time, the festival had only released the names of the opening, closing, and centerpiece films as well as the Views From Long Island titles.

  •     Tickets for the Hamptons International Film Festival will be available starting tomorrow for purchase online. The festival will run from Oct. 10 to Oct 14.


        At press time, the festival had only released the names of the opening, closing, and centerpiece films as well as the Views From Long Island titles.

Blogs by this author:

  •      Elizabeth Dow, whose wall coverings and fabrics have been installed in the White House and in the private homes of Paul Simon, Harrison Ford, and Bill Gates to name a few, actually got her start as a painter and she continues in that medium to this day. Many of her recent works went on view at Vered Gallery in East Hampton on Saturday in a show called "Heaven" and will stay there until May 19.

  •      LongHouse Reserve offered a preview to both a sale of textiles from the collection of Jack Lenor Larsen and to what patrons will see on Saturday when the gardens open to the public for the season.

  •      If you look up Sammy’s Beach on the Internet, you are given maps, a lot of real estate listings, and a few photographs of a bay beach, typically with a lot of tire ruts. On Instagram it’s different, more arty shots of wind blown waves on a rocky shore, abstract amalgamations of jingle shells and seaweed, dramatic sunsets, and the like.

  •      The Spring Fling at the Parrish Art Museum may have been causing delays on the highway in front of its Water Mill headquarters, but over in East Hampton several gallery exhibitions opening on Saturday night, kept many residents close to home.

  •      If you think the tabs on pop top cans are mundane subject matter,  Alice Hope will likely change your mind with a show at  the Ricco Maresca Gallery in Chelsea. There, viewers will find a range of tab-inspired artworks that either incorporate the small metal pieces of  flotsam, elevate the form to sizable hanging sculpture, or come up with other interpretations wholly unique to the artist.

  •      Shigeru Ban, an architect known for both high-end and humanitarian projects using environmentally sensitive and recycled materials, has won this year's Pritzker Architecture Prize it was announced Monday.

  •      I had not planned on going to the Art Dealers Association of America show at the Park Avenue Armory so late. Initially, it was on my schedule for Thursday as my first drop in of the weekend, but I got in later than I thought, other plans arose, and the next thing I knew it was Sunday and it was quiet.

  •      Despite a reported increase in "fair fatigue" among dealers and collectors and a warm sunny day outside, the Armory Show packed the piers on Saturday with long lines to get in and crowded aisles and booths all afternoon. There were 205 exhibitors spread among two piers with 146 in the contemporary section and 59 in the modern section.
         While few dealers in the contemporary section featured East End artists, the modern selection had a good representation, both past and present.

  •      Seeming oddly out of the way in Soho, once the nexus of the contemporary art world, Volta NY offered a mostly focused presentation at its annual satellite fair during Armory art week in New York City.
         It was also the only fair in the city this week that attracted South Fork dealers: Halsey Mckay Gallery from East Hampton and Sara Nightingale Gallery from Water Mill. The fair was invitational and restricted to solo shows. 

  •      The Bruce High Quality Foundation's final Brucennial, a biannual event timed to the Whitney Museum of American Art's Biennial exhibition, is devoted only to women, this year in its final iteration. 
         Although there were rumors that some men submitted under female names, there was enough sheer quantity to earn the anonymous group a record for the largest female exhibition.