Outside of some art-world friends who lived on the East End, Ray Johnson had a tenuous association here until his ultimate performance in Sag Harbor became the stuff of local and international legend and inextricably bound him to the area. Earnest young artists have made pilgrimages here to retrace his steps and delve for meaning in his use of the numeral 13 and its factors in his age, choice of date, and room number at Baron’s Cove Inn.
It is the time of year when galleries often scale their offerings down, not to include less, but to show more, albeit smaller, works at friendlier price points for gift giving. As much as the art world plays by different rules, size does matter, at least when determining value.
A small, but excellently edited collection of Michael Halsband portraits are on display at the National Arts Club on Gramercy Park through April 25.
Included in the mix that goes back to the mid 1980s are selections from Rolling Stones tours, images of artists and other musicians of the time, his nudes series, contemporary surfers and their culture across a few continents, and some recent formal portraits.
Art Groove opened Saturday night at Ashawagh Hall with 13 artists and the band Out East providing fusion rock and a dance party following with DJ G-Funk.
The art was a mixture of color and movement with more restrained or slightly twisted offerings.
The show is on view Sunday from 11 a.m. to 5 p.m. with a screening of “Hans Van de Bovenkamp: In His Own Words,” a documentary by John Jinks, who is also one of the artists in the show.
Laurie Anderson will serve as curator for the “Live Ideas” festival of New York Live Arts beginning Wednesday.
Working with Bill T. Jones, the artistic director of New York Live Arts, they have developed a program of musical performances, lectures, dance works, panels, film screenings, and other events over a five-day period ending on Sunday.
On an otherwise quiet holiday weekend, the Watermill Center attracted crowds looking for something artful to do on Saturday afternoon.
After a late morning puppet workshop with Julian Crouch and Saskia Lane that transformed ordinary objects into beautiful storytelling props, Kembra Pfahler led a rapt group in techniques taken from her East Village performance art school. Stream-of-consciousness writing and meditative activities were just some of the exercises in the session.
In the early evening, a reception was held for a site-specific sculpture made by Daniel Arsham.
Kate Mueth and the Neo-Political Cowgirls will offer a night of "naughty one-acts" at the Stephen Talkhouse in Amagansett on Saturday night. Called "Taboo," the event is a benefit for "EVE," an original theatrical production the group is bringing to New York City in the fall.