Rory Kennedy has captured a rare intimate view of her family in “Ethel,” a documentary on her mother to be screened at Guild Hall tomorrow night as the conclusion to the SummerDocs series organized by the Hamptons International Film Festival.
Is there any more prominent and trenchant depicter of the not-so-secret life of contemporary haut bourgeoisie than Eric Fischl? Aside from his latest bullfighter paintings, which have held a prominent place in all the right art fairs in the past few years, it has been awhile since I have seen the artist in any type of concentration, and certainly not in his more familiar milieu.
A small, but excellently edited collection of Michael Halsband portraits are on display at the National Arts Club on Gramercy Park through April 25.
Included in the mix that goes back to the mid 1980s are selections from Rolling Stones tours, images of artists and other musicians of the time, his nudes series, contemporary surfers and their culture across a few continents, and some recent formal portraits.
Art Groove opened Saturday night at Ashawagh Hall with 13 artists and the band Out East providing fusion rock and a dance party following with DJ G-Funk.
The art was a mixture of color and movement with more restrained or slightly twisted offerings.
The show is on view Sunday from 11 a.m. to 5 p.m. with a screening of “Hans Van de Bovenkamp: In His Own Words,” a documentary by John Jinks, who is also one of the artists in the show.
Laurie Anderson will serve as curator for the “Live Ideas” festival of New York Live Arts beginning Wednesday.
Working with Bill T. Jones, the artistic director of New York Live Arts, they have developed a program of musical performances, lectures, dance works, panels, film screenings, and other events over a five-day period ending on Sunday.