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Articles by this author:

  • Halsey Mckay Presents Three
        The Halsey Mckay Gallery in East Hampton is presenting Ryan Travis Christian in “Something, Something, Black Something,” and “Friends,” a two-person show of new work by Sara Greenberger Rafferty and Andrew Kuo, through Aug. 7.

  •    Shades of coral, spring green, magenta, and the ever popular blue are some of the signature hues of this year’s Hampton Designer Showhouse in Water Mill.

  •    It was a Thursday afternoon, and Monica Banks was home listening to NPR. But it could have been any day, really, as long as she was at work in her East Hampton Village studio or in the workroom she keeps in her house.
        The fact that the artist works to the jumbled sounds of nations crumbling, world economies sputtering, talking heads debating health care reform, or, perhaps in lighter moments, the poignant oral histories of “Storycorps” resonates in her artistic output and seems to urge her along in her practice.

  • Fireplace Opens Koh
        A solo show by Terence Koh, “yes, pleased,” will open at the Fireplace Project in Springs tomorrow. In his first presentation at the gallery, Mr. Koh will offer a variety of mediums drawn from his work in drawing, sculpture, video, performance, and the Internet.

  •    Beginning this weekend a series of July art fairs will erect tents in a variety of fields from Bridgehampton to South­ampton, offering attendees a pleasant environment to see work from galleries from the East End to Europe and beyond under one roof while benefiting some local nonprofit organizations.
        First up is the oldest, ArtHamptons, which will begin its fifth iteration today at Nova’s Ark Project in Bridgehampton with two benefit previews for the LongHouse Reserve. It will remain open through Sunday.

  •    Stony Brook Southampton announced last week that Christine Vachon, an independent filmmaker, has joined its faculty to begin the process of establishing a graduate program in film on the campus.

  •    Guild Hall has a full lineup of films, concerts, and other events for this week that should appeal to everyone in one form or another.

  • Pollock Lecture
        Bobbi Coller, a co-curator of “The Persistence of Pollock,” will present a gallery talk on the exhibition at the Pollock-Krasner House on Sunday at 5 p.m. A reception will follow.
        Ms. Coller is an art historian and the chairwoman of the Pollock-Krasner House advisory committee. She will discuss how the committee selected the 13 artists in the show and the ways in which those chosen address Pollock’s legacy.

  •    Edmund Hollander isn’t just kidding when he says his outsize, dense, and lavishly illustrated new book, “The Private Oasis” (Grayson Publishing), is not a coffee-table book: “It could break the typical coffee table in weight alone,” the part-time Sag Harbor resident joked. But, more than that, “The Private Oasis” is meant to be highly utilitarian, rather than simply ornamental.

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  •    How often does a true Hollywood ending happen in real life? Maybe more than immediately comes to mind, but still, not that often. The first film in the Hamptons International Film Festival and Guild Hall SummerDocs series, to be shown on Friday, July 6, has that Hollywood ending with an added surreal twist, and it is all a true story.

Blogs by this author:

  • A nod for Nivola and Comden & Green, but nothing for Albee, Balaban, Broderick, Danner, or Lane.
  • With so many pre-eminent American artists associated with the East End, it is not surprising that the Whitney Museum of American Art would feature many of them in the inaugural exhibition for its new home in New York City’s meatpacking district opening to the public on Friday.

  • A gallery that has had a significant impact on Southampton Village's art scene is expanding to East Hampton.
  • Deeming it the "first unquestionably mainstream podcast," jurors said it was an "audio game-changer."
  • A small, but excellently edited collection of Michael Halsband portraits are on display at the National Arts Club on Gramercy Park through April 25.

    Included in the mix that goes back to the mid 1980s are selections from Rolling Stones tours, images of artists and other musicians of the time, his nudes series, contemporary surfers and their culture across a few continents, and some recent formal portraits.

  • Art Groove opened Saturday night at Ashawagh Hall with 13 artists and the band Out East providing fusion rock and a dance party following with DJ G-Funk.

    The art was a mixture of color and movement with more restrained or slightly twisted offerings.

    The show is on view Sunday from 11 a.m. to 5 p.m. with a screening of “Hans Van de Bovenkamp: In His Own Words,”  a documentary by John Jinks, who is also one of the artists in the show.

  • Laurie Anderson will serve as curator for the “Live Ideas” festival of New York Live Arts beginning Wednesday.

    Working with Bill T. Jones, the artistic director of New York Live Arts, they have developed a program of musical performances, lectures, dance works, panels, film screenings, and other events over a five-day period ending on Sunday.

  • On an otherwise quiet holiday weekend, the Watermill Center attracted crowds looking for something artful to do on Saturday afternoon.

    After a late morning puppet workshop with Julian Crouch and Saskia Lane that transformed ordinary objects into beautiful storytelling props, Kembra Pfahler led a rapt group in techniques taken from her East Village performance art school. Stream-of-consciousness writing and meditative activities were just some of the exercises in the session.

    In the early evening, a reception was held for a site-specific sculpture made by Daniel Arsham.

  • Kate Mueth and the Neo-Political Cowgirls will offer a night of "naughty one-acts" at the Stephen Talkhouse in Amagansett on Saturday night. Called "Taboo," the event is a benefit for "EVE," an original theatrical production the group is bringing to New York City in the fall.

  • Just like the buds on the trees and the first stirrings of crocuses and snowdrops this weekend, the winter hibernation of the South Fork art scene showed signs of abatement.

    At the Parrish Art Museum in Water Mill, three shows under the heading of "Perspectives," quick takes on artists who work or have worked on the East End, opened with receptions on Saturday and Sunday. The show features installations of three artists: Robert Dash, Jules Feiffer, and Joe Zucker.