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  • Typically, when one orders a daiquiri or a mojito, it is not preceded by a call brand the way a Grey Goose martini or a Jack and coke is. With the advent of premium small-batch rums over the past few years, however, that should change.

  • A show of work by Jane Freilicher will be presented this week by the Tibor de Nagy Gallery at the Art Dealers Association of America’s "Art Show" fair in New York City.

    Ms. Freilicher, who died last year, was not only a “painterly realist‚” in the words of her gallery, but an inspiration for several poets of the era, including Frank O’Hara and John Ashbery, who were also her friends. She was known for the still lifes that she often placed near her windows, showing the view outside her Water Mill studio.

  • Peter Ngo knew from an early age that he wanted to be involved with fashion and art. Through a singular focus and hard work, that is where he is making his mark: at John Varvatos in East Hampton and at the various galleries and art spaces that have shown his photography and paintings.

  • It wasn’t all that long ago that the art world cognoscenti and mere tourists would walk the streets of SoHo, then Chelsea, and even more recently the Lower East Side, with “Gallery Guide” booklets clutched to their chests. Now, it’s more likely that they are looking at their phones, parsing the disparate information and endorsements available online for their favorite galleries and artists.

  • The last time Victoria Bond spoke with The Star, it was 1999 and she was working on an opera that would become “Mrs. President.” In the 15 years since, she has several more operas to her credit, as well as many other musical pieces for voice, individual instruments, chamber ensembles, and orchestras.

  • The Drawing Room and its partners, Emily Goldstein and Victoria Munroe, celebrate a decade in East Hampton with a surprisingly cohesive salon-style show in its always pleasant but somewhat small gallery space.

  • There is, no doubt, something scattershot about “Attitudes,” this year’s version of the Tripoli Gallery’s annual holiday collective. (It was officially dubbed the Thanksgiving Collective, but we are so far past that now, it seems confusing to hold on to that title, as the show has been extended though Jan. 25.)

  • Is it possible the holidays are finally over? Or worse, that the long nights of winter are now here? It used to be that the six weeks between New Year’s Day and Presidents Day were a dark lonely period of reflection and hibernation. Now, they’re an arts extravaganza, if not on par with the summer, then at least more accessible to the natives.

  • “Law & Order,” a show in its last week at Harper’s Books in East Hampton, is perfectly appropriate for the milieu. Brad Phillips, a Canadian artist, makes visual art often using text as subject matter, and not just any text but deeply evocative, assertive, assaulting, and sometimes disturbing text.

  • It’s been quite a year for Sarah Koenig. The Sagaponack native and Sag Harbor summer resident has gone from being known among a small, quirky subset of brainy public radio listeners for “This American Life” to what might be called an international sensation among a larger, quirky set of brainy podcast listeners.

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