She didn’t go to drama school, but Helen Bonham Carter did attend ape school — and singing school for that matter — she revealed during an extended discussion at Bay Street Theatre on Saturday.
For someone who was a great proponent of automatic painting and then the kind of expressive abstract aesthetic that allowed American painters to break free of European Modernist precedent, Robert Motherwell never appeared to me to realize fully his own intentions. In fact, it was other artists from that period — Jackson Pollock, Franz Kline, and Willem de Kooning in particular — who seemed more willing to take them to their farthest extremes.
Filmmakers participating in the Stony Brook Southampton’s summer shorts 20-day intensive production workshop were given a warm welcome on Monday with an opening discussion with Todd Haynes, the director of “Far from Heaven,” “Velvet Goldmine,” “I’m Not There,” “Mildred Pierce,” “Safe,” and many other original and provocative films.
A documentary about an early pioneer of ecologically friendly architecture will be shown Monday at the Southampton Arts Center at 6 p.m. AIA Peconic will present “The Vision of Paolo Soleri: Prophet in the Desert,” which has been selected for a number of film festivals this year from Boston to Sedona and even New Zealand.
Beginning Wednesday at 10 a.m., Paddle 8 will hold an auction of Robert Wilson’s own artwork as well as his personal collection of chairs.
Mr. Wilson told ARTINFO that his collection was being culled because he no longer had room to keep it all after moving out of his Tribeca loft. “Selling them, however, is like letting your children go,” he said. But he sees it as an opportunity for more people to enjoy them in a way he no longer can.
Those looking for a lovely spring stroll through some of the most exclusive private gardens in Southampton Village had a treat on Sunday during the garden tour portion of the Parrish Art Museum’s Landscape Pleasures weekend.
On Saturday, guests heard talks by Chip Callaway, Martin Filler, and Arne Maynard.