Guild Hall will open two exhibitions this week to inaugurate the museum’s fall season, each lively and provocative in its own way. In one gallery, Thomas Moran’s stylistic legacy and his preoccupation with European art movements will be examined in “Tracing Moran’s Romanticism and Symbolism.” In the other, Christa Maiwald will offer “Short Stories and Other Embroideries.” Ms. Maiwald was the winner of the 2011 members exhibition.
It is funny, but I had to be reminded this week that Robert Dash wasn’t an abstract artist, not in the nonobjective sense anyway. The inveterate gardener, writer, and artist left us last month after a long illness, but his legacy in Madoo, his residence and conservancy, and his artwork, as well as a quite lengthy catalogue of columns he wrote for The Star over many years, will continue.
Filmmakers participating in the Stony Brook Southampton’s summer shorts 20-day intensive production workshop were given a warm welcome on Monday with an opening discussion with Todd Haynes, the director of “Far from Heaven,” “Velvet Goldmine,” “I’m Not There,” “Mildred Pierce,” “Safe,” and many other original and provocative films.
A documentary about an early pioneer of ecologically friendly architecture will be shown Monday at the Southampton Arts Center at 6 p.m. AIA Peconic will present “The Vision of Paolo Soleri: Prophet in the Desert,” which has been selected for a number of film festivals this year from Boston to Sedona and even New Zealand.
Beginning Wednesday at 10 a.m., Paddle 8 will hold an auction of Robert Wilson’s own artwork as well as his personal collection of chairs.
Mr. Wilson told ARTINFO that his collection was being culled because he no longer had room to keep it all after moving out of his Tribeca loft. “Selling them, however, is like letting your children go,” he said. But he sees it as an opportunity for more people to enjoy them in a way he no longer can.