“The 50 Year Argument” by Martin Scorsese and David Tedeschi, screened at the Hamptons Take 2 Documentary Film Festival, offers proof not just of the vitality of the documentary medium, but of the growing importance of the festival itself.
Although we may have become more jaded and immune to Robert Gober’s jarring dislocations of familiar objects and experiences, there is still something visceral and uncanny in the bringing together of many of them in one confined space.
For the past few weeks, the Museum of Modern Art has had such an installation on its second floor. “The Heart Is Not a Metaphor” is an exhibition that not only takes over unusual spaces in the building but also disrupts them in service to the art.
With so many pre-eminent American artists associated with the East End, it is not surprising that the Whitney Museum of American Art would feature many of them in the inaugural exhibition for its new home in New York City’s meatpacking district opening to the public on Friday.