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  • Yung Jake, an artist and rapper based in Los Angeles who grew up in Bridgehampton as Jake Patterson, will perform as part of the Museum of Modern Art’s “Slithering Screens: 10 Years of New Frontier at Sundance Institute” show tomorrow at 9 p.m. in Manhattan.
  • Jack Lenor Larsen is not someone to sit back with his feet up on his desk, head cradled in his hands, and tell you about the good old days. The designer, builder, collector, and gardener would rather talk about the pergola he recently finished or the shrub he just pruned, the book he is writing, or his plans for the future.

  • Volume, mass, negative space. These are the words that pop into your head at the Parrish Art Museum exhibition “Brian Gaman: Vanishing Point.” Whether sculptural objects or pigment prints, the works on view play with our perception.
  • Museum permanent collection shows can be confusing. Some are installed, well, permanently, and others are of the more ephemeral variety. The Museum of Modern Art’s “Jackson Pollock: A Collection Survey, 1934-1954,” for example, has been up for a few months but will be a memory come May 1.
  • When considering street art, or graffiti, its transience would not be the first thing that comes to mind. Yet the elements are unkind to the type of paint preferred by those who paint al fresco (en plein air, if you like) on concrete, brick, aluminum, or other exterior surfaces.
  • There are at least two men named Andre Ethier of note: One is a baseball player and the other is a musician and artist. At the same time, Harper Levine now has two exhibition spaces bearing his name and curatorial vision, the Newtown Lane space he has occupied for many years and a new New York City space he has dubbed Harper’s Apartment.
  • Four screenwriters will come to East Hampton on Friday, April 8, to participate in the Hamptons International Film Festival’s Screenwriters Lab, the festival announced this week.
  • In an early workshop of a limited-run summer production, Kate Mueth offered a peek at “Andromeda,” her latest project with the Neo-Political Cowgirls.
  • It is possible to feel sorry for the artists who are on view at Ille Arts for the gallery’s inaugural exhibition at 171 Main Street in Amagansett. Sara DeLuca’s new quarters are perched a little higher from street level, and the floor-to-ceiling windows that span the south-facing wall provide a panoramic view both inside and out. The gallery almost steals the show.
  • There are two recent trends of note to East End art aficionados who split their time in varying percentages between here and New York City. One is the expansion of some East Hampton gallery spaces into Manhattan; the other is the rediscovery of some native female artists long relegated to the sidelines of mainstream art history.

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