Ross Bleckner has lived and worked part time on the Sagaponack property that was once Truman Capote’s writer’s retreat since 1990 and has been showing regularly since the 1970s. Yet, it has been four years since his last solo show in New York City at Mary Boone, his gallery for almost four decades.
The exhibition of John Chamberlain’s metal paintings from the mid-1960s at the Dan Flavin Art Institute in Bridgehampton has not exactly set the world on fire, but it is the kind of focused, well-considered presentation complementing the Flavin installation upstairs that the Dia Art Foundation, which owns the institute, turns out annually.
Artists associated with the East End helped Christie’s auction house take in a record-breaking $853 million on Wednesday night, with Andy Warhol leading the way with two works, “Triple Elvis” and “Four Marlons,” achieving $81.9 million and $69.6 million, respectively. Out of 80 lots, there were 30 by artists who have lived and worked here over the past century.
The Animal Rescue Fund of the Hamptons celebrated the 10th edition of its calendar on Saturday night at the Water Mill home of Sandra Powers, who is this year's pet calendar chairwoman.
Previous artists such as Paul Davis, Carol Saxe, and Billy Sullivan joined Eric Fischl, who conceived this year's cover.
Calendars are on sale now through ARF. Those interested can call Kathy at 537-0400,extension 214.
The Water Mill Museum is holding its annual quilt show through Sept. 14. A tradition spanning almost three decades, the show features dozens of quilts hung and draped over every available surface, making a riot of color and patterns throughout the old mill space.
Each is hand-crafted and reasonably priced for both new and vintage pieces. There are traditional quilts, baby quilts, and crazy quilts.
A special queen-sized quilt up for raffle features shades of blue and yellow and will be awarded to a winning ticket on Oct. 11 at the museum’s Bowls of Plenty event.
There are only three more performances of Shakespeare’s “The Tempest” at Mulford Farm, presented by the Hamptons Independent Theater Festival, known more familiarly as HITFest. If you can, see all three.
The two-hour production is a delight from start to finish, harnessing a bit of Ariel’s magic to make the spare set and staging as engaging as the acting is polished and professional, rivaling Public Theater productions in Central Park I’ve seen over the years.