Hopes and excitement ran high this year for the Guild Hall artist-members show, an annual event that brings the South Fork artistic community together for one of the largest shows in the region. More than 470 artists, the most ever, submitted work to be placed on the walls of the three main galleries, everyone hoping to be recognized by Robert Storr, a former curator at the Museum of Modern Art and the dean of the Yale School of Art.
On an otherwise quiet holiday weekend, the Watermill Center attracted crowds looking for something artful to do on Saturday afternoon.
After a late morning puppet workshop with Julian Crouch and Saskia Lane that transformed ordinary objects into beautiful storytelling props, Kembra Pfahler led a rapt group in techniques taken from her East Village performance art school. Stream-of-consciousness writing and meditative activities were just some of the exercises in the session.
In the early evening, a reception was held for a site-specific sculpture made by Daniel Arsham.
Kate Mueth and the Neo-Political Cowgirls will offer a night of "naughty one-acts" at the Stephen Talkhouse in Amagansett on Saturday night. Called "Taboo," the event is a benefit for "EVE," an original theatrical production the group is bringing to New York City in the fall.
Just like the buds on the trees and the first stirrings of crocuses and snowdrops this weekend, the winter hibernation of the South Fork art scene showed signs of abatement.
At the Parrish Art Museum in Water Mill, three shows under the heading of "Perspectives," quick takes on artists who work or have worked on the East End, opened with receptions on Saturday and Sunday. The show features installations of three artists: Robert Dash, Jules Feiffer, and Joe Zucker.
Halsey Mckay Gallery in East Hampton opened two shows this weekend, an artist-curated show in the Newtown Lane gallery and a single artist installation at the former residence and studio of Elaine de Kooning on Alewife Brook Road.