Gavin Zeigler’s studio on North Ferry Road on Shelter Island was originally a gas station, and the mint 1970 GMC pickup in one of the old garage bays suggests it might still be one. But a look inside reveals an expansive space filled with large work tables, storage cabinets, a paint-spattered wooden floor, a few paintings, and, usually, a couple of dogs that pretty much have the run of the place.
Jack Lenor Larsen at Parrish
Jack Lenor Larsen, renowned textile designer and founder of LongHouse Reserve in East Hampton, will discuss art, craft, and design at the Parrish Art Museum in Water Mill tomorrow at 6 p.m.
"Charlie's Country" is the third collaboration between David Gulpilil, an Australian Aboriginal actor, and Rolf de Heer, a Dutch-born director who lives in Australia. Mr. Gulpilil plays the title character, who lives in a Northern Territory Aboriginal community where white laws have encroached and undermined the traditional ways of life.
The annual Box Art Auction to benefit East End Hospice will take place Saturday from 4:30 to 7 p.m. at the Ross School Center for Well-Being in East Hampton. Now in its 14th year, the event is the hospice’s only annual fund-raiser held in East Hampton.
Each year, approximately 100 artists transform small cigar and wine boxes into works of portable art. Among this year’s participants are Jennifer Cross, Eric Fischl, Connie Fox, April Gornik, Priscilla Heine, William King, Rex Lau, Stephanie Brody-Lederman, and Frank Wimberly.
The Hamptons International Film Festival announced their annual awards Monday morning at the East Hampton Presbyterian Church.
The festival’s Audience Awards went to Stephen Frears’s “Philomena,” a drama starring Dame Judi Dench, and “Desert Runners,” Jennifer Steinman’s documentary about the 4 Deserts Race Series of 150-mile ultramarathons. Irene Taylor Brodsky’s “One Last Hug (…And a Few Smooches): Three Days at Grief Camp” won the Audience Award for Best Short.
Filmed in Bellport over a period of 18 days for $700,000, "The Maid's Room" has the look of an expensive Hollywood production. “We did everything we could to make a local film, but not a small film,” says Michael Walker, its director.