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  •     While the founding families of Shelter Island — the Sylvesters, the Havenses, the Nicolls — are well-known cornerstones of the island’s history, the slaves and Native Americans who built and inhabited the island are not as widely recognized. “Race and Ethnicity on Shelter Island: 1652-2000,” a new exhibition at the Shelter Island Historical Society, celebrates their role in the island’s history.

  • Workshops at the Parrish
        The Parrish Art Museum in Water Mill is offering two new workshops for artists of all skill levels during March. Linda Capello, an artist from Sag Harbor whose work focuses on the figure, will teach life drawing in a four-session series beginning Wednesday from 3 to 5 p.m. and concluding March 26. Participants will draw male and female models through gesture sketches and longer observation. The cost is $120 for four classes, $95 for Parrish members.

  •     Don Christensen’s studio in Barnes Landing recalls the way New York City lofts looked before they became high-priced “loft-apartments.” Storage racks, worktables, tools and materials, and walls hung with paintings identify it as the domain of a working artist. At one end is a drum set, a clue to the other career — musician — that has figured as prominently in his life.

  • Love and Passion Redux
        The opening reception for “Love and Passion: Walk on the Wild Side,” a collaboration between Karyn Mannix Contemporary, Hampton Hang, and the Sara Nightingale Gallery that was canceled because of last weekend’s storm, has been rescheduled for Saturday from 5 to 8 p.m.

  •     There is a poem in Philip Schultz’s book “Failure,” which won the Pulitzer Prize for poetry in 2008, called “The Reasonable Houses of Osborne Lane.” Shifting from “cottages slowly blooming into mansions” to “neighbors carried in and out of ambulances” to “long azure afternoons dragging shadows toward twilight,” its acute observations of the everyday are infused with grace and a hint of the elegiac.

  • Love and Passion in Water Mill
        The annual “Love and Passion” exhibition, whose theme this year is “Walk on the Wild Side,” will open Saturday in Water Mill at Hampton Hang and its neighbor the Sara Nightingale Gallery, and remain on view through Feb. 22. A collaboration between the two galleries and Karyn Mannix Contemporary, the show will feature more than 60 artists from around the country.

  • Yektai at Tripoli
        “Two Weeks in Umbria,” an exhibition of 25 new paintings by Darius Yektai, will be on view at the Tripoli Gallery in Southampton from Saturday through March 17. The paintings were made last summer during Mr. Yektai’s 14-day stay in Montecastello di Vibio, a medieval fortress town.

  •     A conversation with Rick Liss, a painter and filmmaker from Amagansett, involves poking around in the dusty corners of history, specifically the cultural history of the East End and New York City over the past 60 years. Some artifacts have disappeared; Mr. Liss lost 30 years of work when Hurricane Sandy flooded his loft building in the South Street Seaport area in 2012.

  • Busy Day at Watermill
        The Watermill Center has scheduled a full afternoon of activities Saturday, including an exhibition of new work by Jose Carlos Casado at 3 and a dance-theater work-in-progress by Jack Ferver at 4. Both artists are currently in residence at the center.

  • Gesture Jam at Parrish

Blogs by this author:

  • The Hamptons International Film Festival announced their annual awards Monday morning at the East Hampton Presbyterian Church.

    The festival’s Audience Awards went to Stephen Frears’s “Philomena,” a drama starring Dame Judi Dench, and “Desert Runners,” Jennifer Steinman’s documentary about the 4 Deserts Race Series of 150-mile ultramarathons. Irene Taylor Brodsky’s “One Last Hug (…And a Few Smooches): Three Days at Grief Camp” won the Audience Award for Best Short.

  •    Filmed in Bellport over a period of 18 days for $700,000, "The Maid's Room" has the look of an expensive Hollywood production. “We did everything we could to make a local film, but not a small film,” says Michael Walker, its director.