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  • Meola’s “Born to Run” Photos

           Eric Meola, a photographer and Sagaponack resident who captured the iconic image of Bruce Springsteen and Clarence Clemons for the cover of the 1975 album “Born to Run,” is exhibiting a selection of photographs at the Tulla Booth Gallery in Sag Harbor from among the 700 taken during the two-hour photo shoot. While images from that session have been widely published in magazines, they have seldom been exhibited as large, archival prints, according to Ms. Booth.

  • The Hamptons Take 2 Documentary Film Festival returns to the Bay Street Theatre this weekend with 11 features, 11 shorts, and programs devoted to the cinema verité pioneers D.A. Pennebaker and Chris Hegedus and this year’s Filmmaker’s Choice Award winner, Lana Jokel. Faith Middleton will moderate a panel discussion.
  •     Hanukkah comes early this year, surprising almost everyone by coinciding with Thanksgiving — for the first time since 1888. The eight-day Jewish holiday takes place on the 25th day in the month of Kislev on the Hebrew calendar, falling on different days on the Gregorian calendar each year because the ancient Hebrew year (it is now 5774) has 354 rather than 365 days and even an extra month.

  •     Billy Rayner hasn’t been to China. Or Japan. But he’s been practically everywhere else during the past 50 years and kept diaries filled with watercolors, photographs, observations, historical information, and memorabilia. “Notes and Sketches: Travel Journals of William P. Rayner,” a two-volume set, has just been published by Glitterati Incorporated, allowing readers a view into a life fully lived.

  • Ruffins at John Jermain
        Reynold Ruffins, an award-winning painter, illustrator, and designer, will exhibit a selection his illustrations at the John Jermain Memorial Library in Sag Harbor from Wednesday through Jan. 18. Mr. Reynolds, who lives in Sag Harbor, graduated from Cooper Union and received its most prestigious honor, the Augustus Saint-Gaudens Award for outstanding professional achievement in arts.

  • Nature Times Two
        “East/West,” an exhibition of work by Annie Sessler and John Todaro, will be on view at Ashawagh Hall in Springs Saturday and Sunday. The title of the show reflects Ms. Sessler’s use of the Japanese craft tradition of Gyotaku, fish printing, and Mr. Todaro’s travels to the American West. Nature is subject and inspiration for both artists.

  •     I have a nose, but it doesn’t work. Actually, my nose works; it’s my brain that doesn’t. Nine years ago, visiting my sister-in-law in rural Pennsylvania, I fell down a flight of stone steps to the cement floor of her basement. A six-pack of Rolling Rock cushioned my fall. When I picture how it must have looked, I see a hilarious pratfall. But to my wife, son, in-laws, and nephews looking on, it wasn’t funny.

  •     “Downton Abbey” fans who can’t wait for the Jan. 5 return of the PBS Masterpiece Classic can visit the Southampton Historical Museum for a taste of the era, starting on Saturday. “Downton Abbey Style In Southampton: 1900 to 1920” explores the village’s Gilded Age with an installation of women’s clothing, period furniture, dinnerware, vintage photographs, and more.

  • Shinnecock Celebration

  •     This year’s Black Film Festival opens tonight at 6:30 with a screening of “The Central Park Five,” a 119-minute documentary by Ken Burns, David McMahon, and Sarah Burns about the five young black and Latino men convicted of raping a jogger in Central Park in 1989 and exonerated 13 years later.

Blogs by this author:

  • The Hamptons International Film Festival announced their annual awards Monday morning at the East Hampton Presbyterian Church.

    The festival’s Audience Awards went to Stephen Frears’s “Philomena,” a drama starring Dame Judi Dench, and “Desert Runners,” Jennifer Steinman’s documentary about the 4 Deserts Race Series of 150-mile ultramarathons. Irene Taylor Brodsky’s “One Last Hug (…And a Few Smooches): Three Days at Grief Camp” won the Audience Award for Best Short.

  •    Filmed in Bellport over a period of 18 days for $700,000, "The Maid's Room" has the look of an expensive Hollywood production. “We did everything we could to make a local film, but not a small film,” says Michael Walker, its director.