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  • New at Halsey Mckay
        The Halsey Mckay gallery in East Hampton will open a show of paintings by two artists, Ann Pibal and Nathlie Provosty, and a solo exhibition of paintings by Steven Cox on Saturday.

        Both Ms. Pibal and Ms. Provosty, who have homes in Brooklyn, use line, form, and sumptuously worked surfaces to create distinct visual languages.

  •     The Parrish Art Museum in Water Mill unveiled a monumental sculpture by Roy Lichtenstein on its front lawn on Friday and is about to open the first major museum survey of work by Jennifer Bartlett, whose stylistic and thematic innovations have established her as one of the most important artists of her generation.

  • Koichiro Kurita at Ille
        Koichiro Kurita, a photographer who lives in Southold, will have a solo show at Ille Arts in Amagansett from Saturday through May 10. Mr. Kurita, who was a commercial photographer in Japan, had a life-changing experience when he visited Walden Pond in 1985. “I was inspired by the freedom of the spirit and pursued fine art photography,” he has said.

  •     After 60 years of making and exhibiting art, Jack Youngerman shows no sign of slowing down. On a recent wintry morning he led a visitor briskly across hard-packed, slippery snow from his house on Scuttlehole Road in Bridgehampton, where he has lived since 1968, to his studio.

  • New at Dodds and Eder
        Dodds and Eder Home in Sag Harbor, now under new ownership and focused on the work of local artists, is presenting “Memories of Place: Land/Water/Sky,” now through May 10.

        Participating artists are Maria Schon, an abstract painter from Sagaponack; James DeMartis, an East Hampton-based sculptor and metalworker; Casey Dalene, from East Hampton, who creates designs on textiles and fabrics, and John Cino, a wood sculptor from Patchogue.

  • Art in Flower in Sag
        The Romany Kramoris Gallery in Sag Harbor is holding its third annual spring flower show today through May 8. The exhibition features floral-inspired paintings, pottery, and blown glass by Muriel Hanson Falborn, Arianne Emmerich, Laura Rozenberg, JoAnne Carter, Maria Orlova, Coco Pekelis, Joyce Brian, Taffi Laing, and Richard Udice. A reception will be held Sunday from 3 to 5 p.m.

    New at Drawing Room

  •     Chilling winds didn’t deter some 75 members of the local art community from attending the first public meeting of the East Hampton Arts Council last week at Ashawagh Hall in Springs. The organization, which is co-chaired by Jane Martin and Kate Mueth, aims to serve as a liaison to the Town of East Hampton on issues regarding the performing, literary, and visual arts and to make the arts a more integral part of the community.

  •     On Aug. 1, 1965, Craig Claiborne held a picnic on Gardiner’s Island that has come to be known as “the grandest picnic of all time.” He invited a pantheon of French chefs to prepare the meal — Pierre Franey, his friend and collaborator, who was then executive chef at Le Pavillon, Roger Fessaguet from La Caravelle, Jean Vergnes from the Colony, Rene Verdon, then chef at the White House, and Jacques Pepin, who had been personal chef for Charles de Gaulle before coming to New York to work for Franey at Le Pavillon.

  •     On a recent chilly night the East Hampton Presbyterian Church loomed dark and uninviting. At 6:45 a man emerged from a car on Main Street, walked around to the side of the building, and unlocked a door. Within seconds the soaring space was awash with light, and Walter Klauss, the guest conductor of the Choral Society of the Hamptons’ upcoming spring concert, doffed his coat and settled into a front pew for a few moments of conversation before rehearsal.

  • Calls for Entries
        A sure sign of spring is Guild Hall’s annual artist members’ exhibition, which will take place from May 3 through June 7. Artists wishing to participate in the 76th iteration of the show have been asked to submit their registration cards by April 18.

Blogs by this author:

  • Saturday's foul weather didn't deter filmmakers and filmgoers from a festive brunch at c/o the Maidstone, which serves as the headquarters for the Hamptons International Film Festival. Mimosas, bloody marys, and passed hors d'oeuvres helped warm up a happy crowd.

  • The Hamptons International Film Festival's official kickoff took place at Guild Hall Thursday night with a screening of Theodore Melfi's "St. Vincent" starring Melissa McCarthy as newly single mother who must leave her 12-year-old son (Jaeden Lieberher) in the care of her curmudgeonly new neighbor, played by Bill Murray, while she works.

  • "Charlie's Country" is the third collaboration between David Gulpilil, an Australian Aboriginal actor, and Rolf de Heer, a Dutch-born director who lives in Australia. Mr. Gulpilil plays the title character, who lives in a Northern Territory Aboriginal community where white laws have encroached and undermined the traditional ways of life.

  • The annual Box Art Auction to benefit East End Hospice will take place Saturday from 4:30 to 7 p.m. at the Ross School Center for Well-Being in East Hampton. Now in its 14th year, the event is the hospice’s only annual fund-raiser held in East Hampton.

    Each year, approximately 100 artists transform small cigar and wine boxes into works of portable art. Among this year’s participants are Jennifer Cross, Eric Fischl, Connie Fox, April Gornik, Priscilla Heine, William King, Rex Lau, Stephanie Brody-Lederman, and Frank Wimberly.

  • The Hamptons International Film Festival announced their annual awards Monday morning at the East Hampton Presbyterian Church.

    The festival’s Audience Awards went to Stephen Frears’s “Philomena,” a drama starring Dame Judi Dench, and “Desert Runners,” Jennifer Steinman’s documentary about the 4 Deserts Race Series of 150-mile ultramarathons. Irene Taylor Brodsky’s “One Last Hug (…And a Few Smooches): Three Days at Grief Camp” won the Audience Award for Best Short.

  •    Filmed in Bellport over a period of 18 days for $700,000, "The Maid's Room" has the look of an expensive Hollywood production. “We did everything we could to make a local film, but not a small film,” says Michael Walker, its director.