Mark Mangini skillfully guided the Choral Society of the Hamptons through the rough waters of Cecilia McDowall’s “Ave maris stella” at the society’s winter concert on Dec. 8.
The sense of loss, time’s passage, outmoded and obsolete technologies, practices, and forms is inherent in these rooms
Two pieces by Ross Watts, “Jacks” and “Tar No. 3,” flank “Love Letter” by Peter Sabbeth in an installation at the Sara Nightingale Gallery in Water Mill.
Mr. Sabbeth’s installation expands to the wall, with an untitled work in chalk on black paint and two other works, “Untitled Work on Paper #7” and “Just a Painting, Buddha Says.”Sara Nightingale Photos