Aubrey Roemer’s goal was to capture at least 10 percent of the hamlet’s year-round community
While others catch fish in Montauk, Aubrey Roemer has decided to capture people, in this case subjects for portraits, all taken from the year-round population. Janis Hewitt

“House: Small Pastel Plaid‚” from 1998, a mixture of painting on canvas and plates, at the Drawing Room. Gary Mamay
“Atlantic Ocean‚” from 1984, one of her enamel plate works at the Parrish Art MuseumGary Mamay
“Double House‚” from 1987, incorporates both painting and sculpture in a more literal iteration of one of her classic abstract themes. Gary Mamay

At the Parrish Art Museum in Water Mill

In the Geffenberg Performance Tent.

At Guild Hall’s John Drew Theater

An evening of layered social and artistic meaning and humor
Aloysius Gigl, Isabel Keating, Andrew Weems, Michael Benz, Emily Trask, Julia Motyka, Carson Elrod, from left, in “Travesties,” a Tom Stoppard play about artists and revolutionaries performed for the tanned and the shellacked. Jerry Lamonica

By Eric Salzman
One of the high points of the Choral Society of the Hamptons concert on Saturday was the voice of Olivia Knutsen, an eighth-grade soprano, center, set against men singing “Why Do Nations Rage?” Durell Godfrey
Local art news

Working hand in hand with the State Department to provide art to America’s diplomatic buildings around the world
Ed Ruscha gave the government his “Column With Speed Lines,” left, from 2003, in conjunction with the print’s publisher, Gemini G.E.L. James Rosenquist’s “The Stars and Stripes at the Speed of Light,” a lithograph from 2000, was a gift from the artist.
Robert Storr organized a show of FAPE artwork at Guild Hall and will moderate a panel of artists who have participated in the program. Durell Godfrey
The play’s farcical nature and abundant wordplay steers “Travesties” through the waters of Marxism, Dadaism, and Modernism
Andrew Weems and Carson Elrod Jerry Lamonica