Anthony Minardi has such an extensive résumé he needs a spreadsheet to keep track of it all, which he does across more than three pages at the back of his latest endeavor, “The Wetlands Field Guide,” just published through Xlibris.
When Morris Dickstein talks about “the art and challenges of memoir writing” at Temple Adas Israel in Sag Harbor on Sunday, the eminent culture critic and professor will more than know of what he speaks, he will be speaking from his own recent history and recent work — his well-received “Why Not Say What Happened: A Sentimental Education.”
When four teenagers killed a 13-year-old behind a Smithtown school by stuffing rocks down his throat it became a cautionary tale for kids like Matthew McGevna, who went on to fictionalize it into his debut novel in a tried-andtrue attempt to get at the crux of the matter through storytelling.
Even if you’re not a big fan of trends, fads, sweatpants, rolled mats tucked under the arm signaling hip and healthful purpose, gyms, alien Eastern religions, stretching-induced flatulence, cultural co-optation by whites, therapy of any kind, or sincerity generally, kids change everything, kids make it all right, kids doing yoga will bring a smile...
If women ruled the world, begins a contemporary theory, war would become a relic of the past — chiefly because women would never put anything as petty as dominance at the top of their governing agenda.
The compiler of this column doesn’t expect anyone to remember a tossed-off challenge in the Oct. 1 paper in which, vis-a-vis a bookstore appearance, he suggested there isn’t an architecture critic more eminent than Paul Goldberger, but should a reader come up with one, put it in the U.S. Mail, and a prize could await.
“I liked it and I didn’t.” What better words to begin this review than Ernest Hemingway’s first words in his letter to F. Scott Fitzgerald after reading “Tender Is the Night,” Fitzgerald’s novel in which he muddled my grandparents, Sara and Gerald Murphy, with himself and Zelda.