The Star Talks To: Paul Robeson Jr.
The Star Talks To: Paul Robeson Jr.
Son Of Renowned Actor
Paul Robeson Jr. was 16 years old in 1943 when he watched his father become the first black actor to play Othello on Broadway, a seminal event that not only contributed to the senior Mr. Robeson's place in history but became for his son a moment that helped define their relationship.
"That was the period when he took me into his life as an adult. He shared with me his thinking about the role. I saw it inside, through his eyes, and it became one of the levels on which we bonded," he said.
Mr. Robeson clearly loves to talk about Othello and about his father playing Othello. He becomes animated on the subject of the Moor as a character in literature; he is impassioned on the subject of his father's search for the character's range of emotion; he is eloquent on the play's metaphorical significance for black men and the historical meaning of his father's groundbreaking role.
Felt Unready
He recalled that, seven years earlier, the late Mr. Robeson was asked but felt unready to play Othello at the Old Vic with Sir Laurence Olivier as Iago. Instead, he undertook to study the play from several different angles.
In Russian, his son said, he found for Othello "99 tones of anger," in German "military precision," in French a "seductive caress," and in Yiddish "a sad, sardonic humor." He found Shakespeare's intended poetic rhythm in the original Elizabethan English but then, fittingly, made the Moor true by overlaying an African cadence.
Sitting in a friend's kitchen in Sag Harbor on Friday, his son raised his arms up and spoke Othello's lines with authority - "Arise, black vengeance, from the hollow hell!" - and became for a moment his father.
It was a just a moment.
Cultivating Visison
"My father taught me that vision is something you cultivate from within, and the search for vision is everything. I didn't fully realize that gift until he died, and said so in my eulogy. . . . I could have been easily obliterated, just by benign neglect, but he taught me to be my own person. In the end, that was his greatest gift," Mr. Robeson said.
His enthusiasm for Othello not only was fueled by the memories of his father but goes back to the slave tradition of physical suppression overcome by "the emotional energy of music, speech, sound. I'm used to hearing the world." However, he equates freedom with physical expressiveness.
Now 70, the younger Mr. Robeson talks willingly about his famous father but lectures most often about his own areas of expertise: multiculturalism and the state of black America, the implications of affirmative action, Iran-contra, tax reform, black-Jewish relations, as well as on Russian history, society, and its transformation from a Soviet state.
Frequent Visitors
He and his wife, Marilyn, visit the South Fork frequently from their house in Brooklyn, "a good cousin distance," he said, for trips to the Sag Harbor house of William and Pat Pickens. Mr. Pickens, the founding president of the Paul Robeson Foundation, is in fact a distant cousin. Mr. and Mrs. Robeson visited there for last weekend's kick-off to a yearlong celebration of his father's centennial birthday.
Despite his father's gift of self-realization, or perhaps because of it, there are parallels in his life and his father's.
His father was famous not only for his bass-baritone and his achievements as an actor, but as a scholar, athlete, and activist. The son earned four varsity letters playing for Cornell University - his father was a football legend - and three more for track and field, plus three high-jump championships.
Father Blacklisted
He studied electrical engineering at Cornell. During the 1950s, his father, an outspoken communist and supporter of the Soviet Union, was blacklisted in the U.S. and was refused entry into some concert halls and recording studios. His son, who made his own break with the party years ago, became his father's recording engineer, artistic adviser, and producer.
"He treated me like a professional. I would tell him, 'Dad, you've got to do that over,' and he would. He had no ego."
He dismissed any pessimism that recent events - an alleged lynching in Virginia and a Haitian immigrant's claim of torture by police in a Brooklyn precinct - were proof that too little has changed in American race relations, suggesting that such a view was narrow.
No Sense Of History
"We don't have a sense of history or a sense of patience. American society, all of us, pursue the good life as rigidly and obsessively as they did theirs in the Soviet Union or China, and we won't look at the cause of the problem. We only want to fix the symptom."
"Let's say we give those cops 99 years in jail. The politicians will have put a political spin on it to get re-elected but still will not have looked at a predominantly white police force that lives out of town but works in a predominantly black community. The number of problems they shove aside, to make their constituents feel comfortable with their prejudices."
Instead, he finds a formula for improvement in his father's life - it has been said he turned to communism and to a more tolerant society in Europe in his search for answers to the problems of his own country - and in his writings, a 1929 journal entry that showed, at 31, Paul Robeson was searching for a spirituality that eschewed money and success.
Global Perspective
His father struggled with himself, to find a personal and philosophical perspective, and his son said he took comfort in knowing his own struggles were not the first. He too has looked for a global perspective on American problems, seeing our economic and cultural tensions reflecting "through a glass darkly" the cultural and ideological tensions in the new Russia.
"In the broadest sense, my father searched for the questions. He was not an answerer, like a politician. . . . He was a person of vision though very much a person of his time. We need that legacy as a society like oxygen."
But, his father's detractors, and there were many during his lifetime and a few still, said the senior Mr. Robeson was bamboozled by the Communist Party in the U.S. and by the Stalinists he actively supported in the Soviet Union. They charged he turned the other cheek on the persecution of Jews there, ignoring signs that Stalinism was an insidious fraud.
Tragic Flaw?
"Those who would obscure or trivialize him could say that he acted out Othello's tragic flaw in real life, that he was a great man but a dupe of communism, that, like Othello, he was not only flawed but a victim. But, even his worst detractors don't come at him directly," his son said somberly.
In any system, liberated thinking can be perceived as threatening, he continued, but his father knew better than to "be Moses," to become a unifier and prophet. "He empowered people as the essence of leadership because, if you kill Moses, they disperse."