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Coming Up at the Parrish

The Parrish Art Museum has a full schedule
By
Jennifer Landes

   Following the student art exhibition, which will run from Feb. 2 to March 3, the Parrish Art Museum has a full schedule of temporary exhibitions lined up for the next two years.

    “Alice Aycock Drawings: Some Stories Are Worth Repeating” will be on view from April 21 to July 14. The Parrish will work with the Grey Art Gallery at New York University to offer this show of the preparatory work Ms. Aycock does to bring her ideas for her monumental installations and outdoor sculptures to life. The Grey Art Gallery will display works from 1971 to 1983. The Parrish show will cover 1983 to 2012.

    In July, the museum will present “Angels, Demons, and Savages: Pollock, Ossorio, Dubuffet,” which will remain on view through Oct. 27. This show will be presented in partnership with the Phillips Collection in Washington, D.C., and will include some 50 paintings and works on paper, mostly from 1948 to 1952, which draw attention to the visual affinities among the three artists at pivotal moments in their careers. The exhibition will be accompanied by a fully-illustrated 140-page catalog, published by Yale University Press.

    “Michelle Stuart: Drawn From Nature” will be on view at the same time. Ms. Stuart, a resident of Amagansett, works in drawing, sculpture, photography, video, installation, and site-specific earthworks to engage in a dialogue with the natural world. The work included will span 1968 to 2010. The exhibition has been organized by the Djanogly Art Gallery’s Lakeside Arts Center at the University of Nottingham, England.

    In November, the Parrish will bring back its always-anticipated “Artists Choose Artists” exhibition, for which local artists choose from multiple submissions to serve as mentors and partners in displaying their works. The show will be on view from Nov. 3 to Jan. 12, 2014.

    Coming up next year will be a major survey of work by Jennifer Bartlett and a retrospective exhibit of work by William Glackens.

 

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