Richmond Burton likes to paint big, unless he wants to paint small. He uses oil paints applied so thinly they appear matte, sometimes translucent, and a lot more like acrylic. He is a trained architect who prefers mark-making in a two-dimensional form, and he really likes color, but sometimes he does not. His work over the past two decades has shown a dance across the spectrum of rigid systems of grids and complete abandonment of that structure for more organic abstraction.