Arts

Bay Street Theatre in Sag Harbor has announced both its Mainstage and All-Star Comedy Club events for this summer, its 20th season.

Who plants a tree is generous, they say, but it can be a selfish act, a smug one, one that is a plea for praise, an act of no little tyranny to put in place a monster, an enormous caster of shade, a green monument not unlike a great temple or a hall devoted to...

Grooving at Ashawagh

    “Art Groove,” an exhibit at Ashawagh Hall in Springs this weekend, will feature the work of 12 contemporary artists organized by Geralyne Lewandowski. The show will include her work, along with art by Michael McDowell, Siv Cedering, Brian Flynn, Claudia Dunn, Debbi Fritz, Laurette Kovary, Joyce Riamondo, Robert Rosenbaum, Joe Strand, Ursula Thomas, and Kris Warrenburg.

It has become trite to say that an art exhibit is revelatory, but when a show like the Museum of Modern Art’s “Abstract-Expressionist New York: The Big Picture” comes along and manages to debunk the very history and assumptions that the museum has encouraged...

Who is to say what can transform the ordinary into the extraordinary? Certainly vision helps, and when three visionary entities join forces it is bound to cause a commotion. When the source of the marvel is a common everyday object, it makes for an even greater spectacle.

One of art’s sharpest, most dedicated personalities, Lee Krasner (1908-1984) was fiercely determined to produce paintings that pushed the envelope, and she was fiercely devoted to the work and career of her husband, Jackson Pollock.

    On Saturday at 4 p.m. Alec Baldwin will bring the words of Mark Twain to life in a reading of “Huckleberry Finn” at BookHampton’s East Hampton shop.

    Adults and children are invited to participate in the event, which the store said is designed to introduce classic literature to kids and serve as a reintroduction to adults, who will understand these books from a different perspective than when they were first introduced to them, a store representative said.

While the 1989 play touches on themes that were similarly resonant at the end of that decade’s go-go market, it almost seems innocent in the face of the complexities of today’s financial market machinations.