Tomashi Jackson speaks at the Parrish with Minerva Perez, new work by Monica Banks in a Southampton Village storefront, and a Lee Krasner talk via Phillips auction house.
Tomashi Jackson speaks at the Parrish with Minerva Perez, new work by Monica Banks in a Southampton Village storefront, and a Lee Krasner talk via Phillips auction house.
In a tribute to Black History Month, the Sag Harbor Cinema is launching a new series of Cinema Minutes devoted to pioneering Black filmmakers and stars.
A new show at Firestone in N.Y.C. and a talk on James Schuyler at the Parrish Art Museum
Trying to capture the essence of William Quigley is like chasing after a drop of water in a pond. The words come fast and his stories spread out so quickly, it's near impossible to grasp their entirety.
The Watermill Center has announced its artist residents for 2021, but some will participate virtually in what the center called “our first-ever hybrid” residency program.
A virtual film watch party, online stand up through Bay Street Theater, and a new concert series by the Perlman Music Program
The East Hampton Historical Society’s annual winter lecture series, which will take place virtually this year, will launch Friday evening at 7 with “I Remember When: John Howard Payne’s Memories of Old East Hampton and His Life, 1791-1852.”
The Parrish brings its tours outside, new shows at Halsey McKay, Mark Borghi, Keyes, and Roman, and more
When he teaches acting classes, one of the first things Ben Vereen asks his students is more practical than inspirational. "You're bringing your monologues and songs — but why?"
A new series of conversations, "Cinema Live," will feature interviews with directors whose films can be accessed on the Sag Cinema's website during the coming weeks.
It is impossible to imagine Jack Lenor Larsen's energy lying dormant, but it is also not necessary, because his legacy, LongHouse Reserve, lives on after him. The stewards of the East Hampton garden and arts center he opened in 1992 are determined that the site endure and thrive.
On Sunday, Art as Ecosystem, discussions through the Guild Hall Academy of the Arts and The Church in Sag Harbor, will examine “Building Community Through Artist-led Transformative Spaces.” On Monday, it will begin a series of virtual conversations led by Black and indigenous leaders.
On Saturday, A.I.A. Peconic, the local chapter of the American Institute of Architects, announced its annual awards during an evening Zoom presentation.
A discussion of affordable housing for artists and the youth flight in the area at the Parrish and more
Edward Burns's "Bridge and Tunnel" is a real time traveler that will seem both familiar and alien to anyone who lived through the cusp of the 1970s and 1980s. For those born much later, it serves as a period piece that recreates those days faithfully and lovingly.
Stephen Hamilton is back at Bay Street as the director of external affairs for the Friends of Bay Street, Music for Montauk releases a filmed concert, and more
At 31, Lucien Smith's story has taken him from "wunderkind" to blowback, a break from New York and the gallery system, a move to Montauk in 2015, and the creation of STP (Serving the People), a nonprofit commission-free platform for artists to show and sell their work.
The Sag Harbor Cinema has launched "Minutes," an online series of short clips from cinema classics introduced and contextualized by Giulia D'Agnolo Vallan, the theater's artistic director.
Through Jan. 17, the Saul Steinberg show at Pace Gallery celebrates one of East Hampton's pre-eminent artists, and one who defied labels and the norms of his contemporaries. Consequently, his art remains particularly fresh on first and subsequent viewings. Those who first saw the show when it opened are likely to be rewarded on a second, third, or even fourth look.
Lois Dodd and Alex Katz downstairs at the Drawing Room, a discussion of the friendship between Fairfield Porter and Jane Freilicher at the Parrish, and more.
James Croak's career has been marked by his experimental use of materials in sculpture. This has continued with his successful efforts to cast forms out of dirt, a process he began exploring in 1985.
The Watermill Center's annual series Viewpoints: Nights @ the Roundtable, which features conversations with artists working across a range of disciplines, will take place online via Zoom on four consecutive Wednesdays at 5:30 p.m., starting on Jan. 6 with the Daxophone Consort.
Eric Firestone, whose eponymous gallery opened on Newtown Lane in East Hampton 10 years ago, has always followed his own path. While most gallery owners learn their trade by working for other dealers, Mr. Firestone opened his first gallery, in Tucson, Ariz., in 1994, when he was 21. Just last month he launched a ground-floor space on Great Jones Street in NoHo.
Joe Brainard's collages are on view downtown in East Hampton, while a pop-up show lands at Union Steak and Sushi in Southampton.
Since March, the Willem de Kooning Foundation has provided $550,000 in grants and challenge grants to several East End organizations, with a focus on Springs, to address hunger, child care, and medical care. That is in addition to contributions of $2.15 million to the much broader arts community.
At any year's end, it's a good time to take stock and reflect on what has happened since the last Jan. 1. This year might require something deeper and more elaborate.
The internationally known textile designer, collector, and author died at his home at the LongHouse Reserve in East Hampton on Tuesday.
With less gathering and more cocooning this holiday season, don't forget the rich trove of virtual offerings by South Fork's arts organizations when it's time to cozy up to the couch.
An outdoor sculpture tour at the Parrish Art Museum, the holiday invitational at Romany Kramoris, and new shows and a new New York City space for Harper's
Rigor is a word that comes up again and again in the discussion of Dorothy Ruddick's life. The artist, who devised a way that fiber art could be used in combination with drawing and painting to create something else entirely, is on the precipice of a significant rediscovery.
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