The very French movie called “Amour” has created a tsunami of universal acclaim: a beautiful, but tragic, love story of a lifelong romantic couple, now elderly, made even more real by the actors, themselves an aging movie hero and heroine. However, there may be a tragic misunderstanding involved in this universal appeal. The movie seems to tap into a perverse, pervasive, and profound misunderstanding of how we die of chronic, debilitating diseases, and of the critical role of doctors and medical knowledge at the end of life.