Arts

Jazz from the Azar Lawrence Quintet in Southampton, Hopefully Forgiven and Mean Machine at the Talkhouse, the Roses Grove Band and jazz at the Masonic Temple, an AC/DC tribute band in Riverhead, and jazz at Pierre’s restaurant.

From its holdings of more than 200 works by Fairfield Porter, the Parrish Art Museum has selected 26 paintings and prints for its new exhibition, “Across the Avenues,” with the streets, brownstones, and neighborhoods of New York City as subjects.

A program about madness and performance at The Church, a documentary about a jazz legend at the Parrish, All Star Comedy at Bay Street, and more.

Her night job is dining room manager at Nick and Toni’s, but her day job is making paintings and watercolors capturing the atmosphere of the East End.

Artists and plant experts talk flowers at Grenning Gallery, Lee Krasner and Dan Christensen in Chelsea, David Salle in Nyack, N.Y., paintings by Jim Durfee in Sag Harbor, Paul Thek goes to Pace.

John Slattery and Talia Balsam, who played a married couple in "Mad Men," and their son, Harry Slattery, will star together in “The Subject Was Roses” at Bay Street Theater this summer.

Sag Harbor Cinema will raise money for a local filmmaker and gardening tips from the Horticultural Alliance of the Hamptons.

A local reggae band takes the stage at Bay Street, Mystic Bowie's Talking Dreads in Riverhead, and jazz performances in Sag Harbor and at the Parrish.

Boots on the Ground Theater will send a valentine to the community with "Love Letters," A.R. Gurney’s oft-produced play, at the Southampton Cultural Center.

Amy and John Wickersham's scarf-designing project reflects each of their artistic inclinations, as well as their comfortable 42-year marriage.

Vintage maritime photos at Clinton Academy, Guild Hall on the road, Afrofuturism exhibit at Bay Street, Jeremy Dennis in Bridgehampton, Syn Martinez solo at Mark Borghi, a printmaking program at The Church, and much more.

Hector Leonardi continues to experiment with paint fragments on canvases, where the subject is the capacity of color itself.